I reconstruct early Yogācāra theory of no-self based on works by Asaṅga and Vasubandhu. I introduce the idea of the cognitive schema (CS) of the self, a conception borrowed from the developmental psychologist, Jean Piaget. A fundamental CS is a psychological function that guides the formation of perceptions. I propose that Manas can be understood in terms of being the CS of the self, a psychological mechanism from which perceptions of external objects are formed. In addition, I argue that non-imaginative (...) wisdom can be regarded as an experience during which the CS of the self does not function, such that one only possesses pure sensations without perceptions of external objects. After the repeated experience of non-imaginative wisdom, the CS of the self is changed to the purified CS of no-self. It still supports interactions with the external world, but in a way that does not allow the four afflictions (self-delusion, self-belief, self-conceit, and self-love) to arise. (shrink)

The connection between early yogācāras, or practitioners of yoga, and later Yogācāra-vijñānavāda philosophy has long preoccupied scholars. But these connections remain obscure. This article suggests that a text that has received little attention in modern scholarship, the Saddharmasmṛtyupasthānasūtra, may shed light on aspects of early yogācāra contemplative cultures that gave rise to some of the formative dynamics of Yogācāra-vijñānavāda thought. I show how traditional Buddhist meditative practice and engagement with Abhidharma theoretics come together in the Saddharmasmṛtyuasthānasūtra to produce a novel (...) theory of mind that mirrors many of the philosophical problematics that early and late Yogācāra-vijñānavādins confronted and attempted to work out in śāstric detail. (shrink)

_ Source: _Volume 7, Issue 3, pp 147 - 172 The Indian Buddhist philosopher Vasubandhu has seldom been considered in conjunction with the problem of external-world skepticism despite the fact that his text, _Twenty Verses_, presents arguments from ignorance based on dreams. In this article, an epistemological phenomenalist interpretation of Vasubandhu is supported in opposition to a metaphysical idealist interpretation. On either interpretation, Vasubandhu gives an invitation to the problem of external-world skepticism, although his final conclusion is closer to skepticism (...) on the epistemological phenomenalist interpretation. The article ends with reflections on what light Vasubandhu might shed on the issue of whether skepticism is a natural problem in epistemology as well as why, despite Vasubandhu, the skeptical problem was not a central issue in the later Indian tradition. (shrink)

This paper is an effort to present the mind-body problem from a Buddhist point of view. Firstly, I show that the Buddhist distinction between mind and body is not absolute, but instead merely employed as a communicative tool to aid the understanding of human beings in a holistic light. Since Buddhism acknowledges a mind-body distinction only on a conventional level, it would not be fair to claim that the tradition necessarily advocates mind-body dualism. Secondly, I briefly discuss a response to (...) Cartesian dualism from a Buddhist perspective and suggest that in this particular regard, the Buddhist approach may be likened to the ‘category mistake’ argument formulated by Gilbert Ryle. The fact that the Buddhist view does not accord with Cartesian dualism, however, does not imply that a monistic approach to the mind-body problem such as behaviourism, physicalism or biological naturalism is necessarily assumed. The Buddhist position could perhaps be best described as a middle way approach of ‘neither-duality-nor-identity’. Thirdly, I remain sceptical about the reductionist approach of accounting for mind merely on the level of brain or behaviour. In overlooking crucial ethical and axiological implications of mind, I argue that such an approach necessarily fails to impart a complete picture of mind. The Buddhist soteriological approach furthermore reveals certain law-like connections between mental attitudes and suffering which are for the most part overlooked in mainstream metaphysical explorations into the relation between mind and body. I thus endeavour to show why exploration into the link between mental phenomena, spiritual cultivation and the accumulation of karma is imperative to any comprehensive inquiry into the human mind. (shrink)

In 1987, Lambert Schmithausen published an important extensive monograph on the origin of ālayavijñāna. In his opinion, the introduction of ālayavijñāna was closely linked to nirodhasamāpatti, but it was not meditative experience itself that directly lead to the introduction of this new concept. Rather, according to Schmithausen, it was dogmatic speculation on a sūtra passage about nirodhasamāpatti. My own hypothesis is that the introduction of ālayavijñāna was more directly based on meditative experiences. Focusing on the “Proof Portion” of the Viniścayasaṃgrahaṇī (...) of the Yogācārabhūmi, the present paper examines this hypothesis. My examination reveals that ālayavijñāna is the physiological basis of the body, and as such it is correlated to the state of the body and mind. When one’s body and mind are transformed from an inert to a well-functioning state through meditative practice, the transformation seems to hinge on the transformation of ālayavijñāna itself. It appears that Yogācāra meditators intuitively realized this mechanism at the stage of darśanamārga. This paper also responds to some points raised by Schmithausen on my hypothesis in his recent monograph on early Yogācāra. Through these discussions, this paper sheds light on the importance of the correlation between body and mind in meditative contexts and proposes that this was the key issue in the introduction of the ālayavijñāna theory. (shrink)

The paper deals with the early Yogācāra strategies for explaining intersubjective agreement under a ‘mere representations’ view. Examining Vasubandhu, Asaṅga, and Sthiramati’s use of the example of intersubjective agreement among the hungry ghosts, it is demonstrated that in contrast to the way in which it was often interpreted by contemporary scholars, this example in fact served these Yogācāra thinkers to perform an ironic inversion of the realist premise—showing that intersubjective agreement not only does not require the existence of mind-independent objects (...) but is in fact incompatible with their existence. By delineating the phenomenological complexity underlying this account, the paper then proceeds to unpack the emergent Yogācāra account of intersubjectivity, its implications on the understanding of being, the life-world, and alterity, arguing that it proposes a radical revision of the way we conceive of the ‘shared’ and ‘private’ distinction in respect to experiences, both ordinarily and philosophically. (shrink)

This book contains a representationalist theory of self-consciousness and of the phenomenal first-person perspective. It draws on empirical data from the cognitive and neurosciences.

The present article investigates two prominent bhikkhun?s, Dhammadinn? and Khem?, who were renowned for their preaching abilities in the time of the Buddha. It focuses on two texts of the Sutta-pi?aka, the C??avedalla-sutta and the Khem?ther?-sutta, and demonstrates how and why these texts were among the most authoritative in providing a measure for spiritual leadership among bhikkhun?s in early Buddhism. Among women who taught the Dhamma, Dhammadinn? and Khem? attract attention because the texts show them even teaching male listeners of (...) high status. The examples of female leadership presented here challenge any view that throws doubt on the spiritual capability of women and may be used as models by contemporary Buddhist nuns. (shrink)

For this thesis, a detailed study was undertaken to determine whether techniques derived from traditional meditation systems can be applied to "co-participatory" music systems in order to enhance their accessibility, interactivity, and experiential impact, In order to adequately address this subject, a number of investigative steps have been taken. First, a workable list of definitions for what meditation actually is was made by comparing the practices and philosophies of a number of traditional meditation forms. The conclusions derived from this stage (...) of the discussion served to create a definitive "blueprint" for meditation and served as a theoretical foundation for the rest of the dissertation. The second stage was to see how these definitions manifest in the meditation form; of the modem world. This approach provided insight into how changed cultural perspectives exert a major influence on the effectiveness andlor appropriateness of certain traditional techniques. In addition to modern meditation practices, the definitions from chapter two were also examined from the perspective of modem science, another important aspect of modern culture. The observations from this chapter served as the basis for chapter four, in which the experiential, symbolic and conventional features of Western Art Music were examined. This was to provide some points of reference with which to consider the possibility of using meditation techniques to enhance the "musical experience". In chapter five, an examination was made of a number of composers and artists and their relevant works who have devised methods by which some of the more "restrictive" aspects of West em Art Music can be overcome or bypassed, so as to gain access to the full potential of that "musical experience". This stage of the discussion provided a practical framework with which to discuss the background, design and realization of my own wod. ~ connected to this research, collectively called the Wheel of Life project. One of the main aims of this creative project has been to subvert many of the "anachronistic" conventions of Western Art Music, particularly conventions such as performer/audience separation and overly rigid or ambiguous musical structures. By doing this, it is hoped th3t musical systems can be created that allow the participant to engage in a much more personally meaningful and actively creative experience. (shrink)