Anselm of Canterbury’s so-called ontological proofs in the Proslogion have puzzled philosophers for centuries. The famous description “something / that than which nothing greater can be conceived” is part and parcel of his argument. Most commentators have interpreted this description as a definition of God. We argue that this view, which we refer to as “definitionism”, is a misrepresentation. In addition to textual evidence, the key point of our argument is that taking the putative definition as what Anselm intended it (...) to be – namely a description of a content of faith – allows getting a clear view of the discursive status and argumentative structure of Proslogion 2–4, as well as making sense of an often neglected part of the argument. (shrink)

The main objective is an interpretation of the island parody, in particular a logical reconstruction of the parodying argument that stays close to the text. The parodied reasoning is identified as the proof in the second chapter of the Proslogion, more specifically, this proof as it is represented by Gaunilo in the first chapter of his Liber pro insipiente. The second task is a detailed comparison between parodied and parodying argument as well as an account of their common structure. The (...) third objective is a tentative characterization of the nature and function of parodies of arguments. It seems that parodying does not add new pertinent points of view to the usual criticism of an argument. (shrink)

Philosophy and Literature is an internationally renowned refereed journal founded by Denis Dutton at the University of Canterbury, Christchurch. It is now published by the Johns Hopkins University Press. Since its inception in 1976, Philosophy and Literature has been concerned with the relation between literary and philosophical studies, publishing articles on the philosophical interpretation of literature as well as the literary treatment of philosophy. Philosophy and Literature has sometimes been regarded as iconoclastic, in the sense that it repudiates academic pretensions, (...) insidious jargon and institutional vogue. Dutton, who remains the editor, still writes a regular column. A distinctive feature of Philosophy and Literature was the annual Bad Writing Contest, held from 1995–98, which sought to identify (and publish) the ‘most stylistically lamentable passages’ of academic prose, often to great amusement. (shrink)