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Synesthesia is occasionally offered as a challenge to Husserl's claims that the sense fields are necessarily distinct. This article demonstrates how synesthesia can be approached through phenomenology. We begin with a review of synesthesia and a brief discussion of how a phenomenological analysis of synesthesia could be productive both for those who experience synesthesia and for phenomenologists. We then shift to analyses of synesthesia through Husserl's notions of association and affectivity, and in light of intersubjective communication. While synesthesia might lead (...) |
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We can discern two opposing viewpoints regarding synesthesia. According to the first, it is an oddity, an outlier, or a disordered condition. According to the second, synesthesia is pervasive, driving creativity, metaphor, or language itself. Which is it? Ultimately, I favor the first perspective, according to which cross-sensory synesthesia is an outlying condition. But the second perspective is not wholly misguided. My discussion has three lessons. First, synesthesia is just one of a variety of effects in which one sense modality (...) |
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This essay addresses Jacques Derrida’s theory of metaphor, as it has been handed to literary theory and continental philosophy. Our aim is to reassess the relationship between metaphor and metaphysics, using two distinct critical lenses. We will contrast Derrida’s influential position to an anachronistic author – Giambattista Vico (1668–1744). Vico initiated what is now (retrospectively) called the romantic theory of metaphor, but the details of his theory are missing from current discussions. For this reason, Vico’s view is given closer attention. (...) |
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Synesthetic experiences of color have been traditionally conceptualized as a perceptual phenomenon. However, recent evidence suggests a role of higher order cognition in the formation of synesthetic experiences. Here, we discuss how synesthetic experiences of color differ from and influence veridical color processing, and how non-perceptual processes such as imagery and color memory might play a role in eliciting synesthetic color experience. |
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The question “What is the nature of experience?” is of perennial philosophical concern. It deals not only with the nature of experience qua experience, but additionally with related questions about the experiencing subject and that which is experienced. In other words, to speak of the philosophical problem of experience, one must also address questions about mind, world, and the various relations that link them together. Both William James and Kitarō Nishida were deeply concerned with these issues. Their shared notion of (...) |
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Human perception has long been a critical subject of design thinking. While various studies have stressed the link between thinking and acting, particularly in spatial experience, the term “design thinking” seems to disconnect conceptual thinking from physical expression or process. Spatial perception is multimodal and fundamentally bound to the body that is not a mere receptor of sensory stimuli but an active agent engaged with the perceivable environment. The body apprehends the experience in which one’s kinesthetic engagement and knowledge play (...) |
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The paper reviews the empirical evidence for highly significant variation across perceivers in hue perception and argues that color physicalism cannot accommodate this variability. Two views that can accommodate the individual differences in hue perception are considered: the self-locating property theory, according to which colors are self-locating properties, and color relationalism, according to which colors are relations to perceivers and viewing conditions. It is subsequently argued that on a plausible rendition of the two views, the self-locating theory has a slight (...) |
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Examines the lived experience of social encounters drawing on phenomenological insights. |
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Philosophical Papers, Volume 41, Issue 2, Page 305-321, July 2012. |
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In Nyāya philosophy, a special kind of extraordinary sensory connection is admitted named jñānalakṣaṇā pratyāsatti or jñānalakṣaṇa sannikarṣa. It is held that sometimes our sense-organ can be connected to such an object which is not amenable to the operating sense-organ. In such cases, cognition (jñāna) plays the role of sensory connection and connects the content of itself to the operating sense-organ. The paradigmatic example of jñānalakṣaṇa perception is to ‘see’ fragrant sandal through visual sense from non-smellable distance. This hypothesis of (...) |
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This article aims to present a map of consciousness studies, which consists of a list of fundamental questions about consciousness and existing approaches to them. The question list includes five fundamental categories: Definitional, Phenomenological, Epistemological, Ontological, and Axiological. Each fundamental category is divided into more determinate questions. Existing approaches to each question are also classified into a few groups, presenting principal researchers who take each kind of approach. In the final section, I demonstrate the usefulness of the proposed map of (...) |
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Studies of linguistic synaesthesias in English have shown a range of fine-grained language mechanisms governing the associations between colours on the one hand, and graphemes, phonemes and words on the other. However, virtually nothing is known about how synaesthetic colouring might operate in non-alphabetic systems. The current study shows how synaesthetic speakers of Mandarin Chinese come to colour the logographic units of their language. Both native and non-native Chinese speakers experienced synaesthetic colours for characters, and for words spelled in the (...) |
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Recent research on synesthesia has focused on how the condition may depend on selective attention, but there is a lack of consensus on whether selective attention is required to bind colors to their grapheme inducers. In the present study, we used a novel change detection paradigm to examine whether synesthetic colors guide the subject’s attention to the location of the inducer or whether selective attention is required to act as a unique feature during visual search. If synesthetic experiences are elicited (...) |
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Synesthetic experiences of color have been traditionally conceptualized as a perceptual phenomenon. However, recent evidence suggests a role of higher order cognition in the formation of synesthetic experiences. Here, we discuss how synesthetic experiences of color differ from and influence veridical color processing, and how non-perceptual processes such as imagery and color memory might play a role in eliciting synesthetic color experience. |
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