Normality, for Husserl, is said in many ways. While the most detailed treatments of this technical Husserlian concept are usually found in discussions concerning the constitutive dimension of the lived body and intersubjectivity, little attention has been paid to the notion of normality understood as the tacit regularity of nature. Indeed, the normal can also be understood as the causal background which is presupposed, tentatively, in the anticipation of uniform processes of change, as well as in poieticinstrumental experiences, that is, (...) in experiences involving the production and use of objects. The subject that elaborates, manipulates or uses objects is installed in nature. Hence, in our productive-instrumental confrontation with objects in the world, we operate under the assumption that the potentially mutable causal scene surrounding our acting life will retain its style. This assumption of normality is the world, in one of the many ways in which Husserl characterizes this concept. The world qua background of normality becomes thematic, retrospectively, precisely when it ceases to cooperate with the agent’s initiatives. This, on my view, is what lies behind Husserl’s assertion that the world is a “super-object” or “higher-level theme”. (shrink)

Our different senses put us in contact with the same world. In this paper, I use unusual objects and situations to bring out structural dissimilarities in the way our senses relate to the same world of material objects. In the first part, I briefly discuss the perceptual presence of spatial and material things. Using uncommon objects allows me to treat this issue without any need to invoke what it is like to have visual experiences. What comes to the fore in (...) these analyses, however, seems less obvious in experiences of the other senses. Therefore, in the second part, I propose a strategy, invoking unusual situations, to weed out the multisensory associations that enrich our normal relation to objects, in order to get a better grip on the perceptual correlate of the different senses. Although the actual correlates of the senses may not be material objects in each case, I explain why they are nonetheless occurrences in a spatial and material world. (shrink)

The anticipation of the typical under the assumption of the non-occurrence of the atypical is the experiential schema governing the individuation of ordinary enduring objects and their properties. Against this background, a primitive form of “if-and-only-if” consciousness is implicit in our everyday perceptual intentions. The thematization of the fact that perception operates under this proto-tentative structure occurs at the level of reflection and is expressed by defeasible judgments of the form “if p, then q, unless r,” or “if p, then (...) q provided that not-r”. Here I will argue that what is made thematic by judgments containing such restrictive clauses is the structure of unpredictability inherent in what Husserl calls the horizon of latency and, indirectly, the world as background of normality. (shrink)