Switch to: References

Add citations

You must login to add citations.
  1. Oppression, Privilege, & Aesthetics: The Use of the Aesthetic in Theories of Race, Gender, and Sexuality, and the Role of Race, Gender, and Sexuality in Philosophical Aesthetics.Robin James - 2013 - Philosophy Compass 8 (2):101-116.
    Gender, race, and sexuality are not just identities; they are also systems of social organization – i.e., systems of privilege and oppression. This article addresses two main ways privilege and oppression (e.g., racism, misogyny, heteronormativity) are relevant topics in and for philosophical aesthetics: (i) the role of the aesthetic in privilege and oppression, and (ii) the role of philosophical aesthetics, as a discipline and a body of texts, in constructing and naturalizing relations of privilege and oppression (i.e., white heteropatriarchy). The (...)
    Download  
     
    Export citation  
     
    Bookmark   4 citations  
  • (1 other version)Governmental, political and pedagogic subjectivation: Foucault with Rancière.Jan Masschelein - 2010 - Educational Philosophy and Theory 42 (5-6):588-605.
    Starting from a Foucaultian perspective, the article draws attention to current developments that neutralise democracy through the 'governmentalisation of democracy' and processes of 'governmental subjectivation'. Here, ideas of Rancière are introduced in order to clarify how democracy takes place through the paradoxical process of 'political subjectivation', that is, a disengagement with governmental subjectivation through the verification of one's equality in demonstrating a wrong. We will argue that democracy takes place through the paradoxical process of political subjectivation, and that today's consensus (...)
    Download  
     
    Export citation  
     
    Bookmark   10 citations  
  • Politics and Aesthetics: Jacques Rancière and Louis-Gabriel Gauny.Stuart Blaney - forthcoming - Philosophy and Social Criticism.
    This paper argues that much of Jacques Rancière’s redefinition of emancipation owes a lot to one key character from his archival research on nineteenth-century worker-poets, Louis-Gabriel Gauny, the self-proclaimed plebeian philosopher. This is especially the case in regard to Rancière’s understanding of subjectivation forming a double of the self and a double of social reality as worlds within worlds. The paper puts forward that Gauny’s form of emancipation is valid today as an aesthetic revolution that reveals Rancière’s practices of equality (...)
    Download  
     
    Export citation  
     
    Bookmark  
  • blah blah WOMEN blah blah EQUALITY blah blah DIFFERENCE.Elizabeth Wingrove - 2016 - Philosophy and Rhetoric 49 (4):408-419.
    The title of my comments on Samuel Chambers’s The Lessons of Rancière borrows from a cartoon by Gary Larson. It’s composed of two panels. The first illustrates “What we say to dogs,” and its text—words spoken by a man scolding a dog—reads: “Okay, Ginger, I’ve had it! You stay out of the garbage! Understand, Ginger? Stay out of the garbage or else!” The second panel illustrates “What dogs hear,” and its text reads: “blah blah GINGER blah blah blah blah blah (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  • La créolisation à l'œuvre dans une pratique musicale brésilienne : rythmicité, diversité, relation.Laure Garrabé - forthcoming - Rhuthmos.
    Cet article a déjà a paru dans Parcours anthropologiques, N° 8 et est accessible ici. Nous remercions Laure Garrabé de nous avoir autorisé de le reproduire sur RHUTHMOS. RÉSUMÉ : Le maracatu-de-baque-solto est une forme à la fois musicale, chorégraphique et dramaturgique de la Zona da Mata Norte de Pernambuco, qu'on peut voir au climax de sa spectacularisation pendant le carnaval de Recife, capitale de l'État. Née sur les plantations de canne à sucre au début du XXe siècle, elle présente (...)
    Download  
     
    Export citation  
     
    Bookmark