Throughout its fifty-year history, the role of the medical humanist and even the name “medical humanities” has remained raw, dynamic and contested. What do we mean when we call ourselves “humanists” and our practice “medical humanities?” To address these questions, we turn to the concept of origin narratives. After explaining the value of these stories, we focus on one particularly rich origin narrative of the medical humanities by telling the story of how a group of educators, ethicists, and scholars struggling (...) to define their relatively new field rediscovered the studia humanitatis, a Renaissance curriculum for learning and teaching. Our origin narrative is composed of two intertwined stories—the history of the studia humanitatis itself and the story of the scholars who rediscovered it. We argue that as an origin narrative the studia humanitatis grounds the medical humanities as both an engaged moral practice and pedagogical project. In the latter part of the paper, we use this origin narrative to show how medical humanists working in translational science can use their understanding of their historical roots to do meaningful work in the world. (shrink)

Locke is known for his place in the history of the liberty of conscience, but he is not known for any significant theory of moral conscience. This article aims at clarifying his views regarding both problems, and argues for the need to discuss both of these questions simultaneously, in order to avoid the trivialization of liberty of conscience.

This paper opens by reviewing Aristotle’s conception of the natural slave and then familiar treatments of the internal conflict between the ruling and subject parts of the soul in Aristotle and Plato; I highlight especially the figurative uses of slavery and servitude when discussing such problems pertaining to incontinence and vice—viz., being a ‘slave’ to the passions. Turning to Campanella, features of the City of the Sun pertaining to slavery are examined: in sketching his ideal city, Campanella both rejects Aristotle’s (...) natural slave and is critical of the European institutions of slavery. The fact that slavery has no place in the City of the Sun takes on added significance when complemented with Campanella’s remarks on dominion and servitude in his Quaestiones de politiciis: I show that Campanella’s conception of slavery is intimately bound to sin, and consider whether his employment of the trope of slavery within the context of vice diverges from familiar usage. (shrink)