Switch to: References

Citations of:

La fin de l'autorité

(2004)

Add citations

You must login to add citations.
  1. Autorité et modernité.Eirick Prairat - 2013 - Revue Phronesis 2 (2):97-104.
    The erosion of educational authority is less than a crisis. The first two sections of this text involve the clarification of the concept of educational authority. It’s also an opportunity to refute critical theses derived from psychological or pedagogical writings that aim to purify educational acts all forms of authority. These approaches, which often characterise authority as a form of coercion, weaken the anthropological perspective, which is at the heart of the educational process. If authority is necessary, this is quite (...)
    Download  
     
    Export citation  
     
    Bookmark  
  • L’autorité éducative à l’épreuve de la démocratisation de la vie scolaire.Tonyeme Bilakani - 2012 - Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy 4 (1):106-129.
    School is an educational institution designed to socialize future citizens that are Students, to adapt them to the Society to which they belong. But we cannot adapt without forcing. This means that all education, including School, needs authority that compels. As all authority is similar to constraint, the question we need to ask ourselves is how to educate in school in a democratic society? In other words, how can school combine constraint with the school’s goal of making learners free? The (...)
    Download  
     
    Export citation  
     
    Bookmark  
  • Envisioning Autonomy through Improvising and Composing: Castoriadis visiting creative music education practice.Panagiotis A. Kanellopoulos - 2012 - Educational Philosophy and Theory 44 (2):151-182.
    Do psychological perspectives constitute the only way through which the role of musical creativity in education can be addressed, researched and theorised? This essay attempts to offer an alternative view of musical creativity as a deeply social and political form of human praxis, by proposing a perspective rooted in the thought of the political philosopher and activist Cornelius Castoriadis (1922–1997). This is done in two steps. First, an attempt is made to place the pursuit of the concept of musical creativity (...)
    Download  
     
    Export citation  
     
    Bookmark   3 citations