Lo dionisíaco constituye uno de los conceptos fundamentales del pensamiento de Nietzsche, presentándose en diversas configuraciones en diferentes etapas de su filosofía. Para comprender esta evolución, resulta esencial determinar con precisión la génesis de este concepto. Para ello, comenzamos analizando la relación en la que se encuentra lo dionisíaco con la filosofía de Schopenhauer. A continuación, abordamos el sentido que tiene lo dionisíaco en el libro en que se presenta por primera vez, El nacimiento de la tragedia. Finalmente, nos ocupamos (...) de la transformación que experimenta el concepto de dionisíaco en la obra de madurez de Nietzsche. (shrink)

This thesis examines Nietzsche's philosophy as a response to Kant. I show that Kant, as interpreted by Nietzsche, dissociates epistemology and metaphysics. According to Nietzsche, the consequence of this dissociation is the collapse of Kant's transcendental epistemology into a sceptical idealism, which disables the making of positive metaphysical claims about the nature of reality. I argue that Nietzsche overcomes the dissociation of epistemology and metaphysics by rejecting Kant's distinction between constitutive, empirical knowledge and regulative, metaphysical belief. Furthermore, I show that (...) Nietzsche rejects, what he considers to be, Kant's formalistic constitutive epistemology in favour of a regulative and interest-directed account of knowledge. I argue that Nietzsche adopts an internal realist epistemology that stipulates that our epistemic claims must be justified from within our perspectival practices of justification but that such claims must be subject to a realist constraint. Moreover, I propose that Nietzsche is justified, from within these epistemic parameters, in putting forward metaphysical claims about the nature of reality. The thesis is structured in four chapters. Chapter one examines Nietzsche's appropriation of Kant. Chapter two takes up the issue of Nietzsche's perspectivism in the context of his concerns with the issues of justification and truth. The penultimate chapter examines the emergence of Nietzsche's internal realism in his early writings. Finally, chapter four examines Nietzsche's will to power thesis where I contend that the metaphysics of the will to power is both facilitated by and compatible with his perspectivism. (shrink)

The present paper discusses the statute of Socrates’ image in The birth of tragedy. From the hypothesis that it is unsatisfactory to treat Socrates only as Nietzsche’s antipode, as supported by a large number of interpreters, I develop the thesis according to which Socrates is a kind of magnifying glass, by means of which the philosopher analyses the beginning and the modern unfolding of western culture. Besides, and mainly, I demonstrate that the richness of antagonisms deliberately used by Nietzsche to (...) analyze Socrates’ images indicates the one of his first conceptions of the philosophical creation itself. (shrink)