Composer and musicologist Nicolas Slonimsky published a fascinating and delightful book entitled Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven’s Time (Slonimsky 1965). The book is a collection of what Slonimsky called “biased, unfair, ill-tempered, and singularly unprophetic judgments” (p. 3) about famous composers and their works. We find, for example, the Gazette Musicale de Paris on August 1, 1847, saying of Verdi, “there has not yet been an Italian composer more incapable of producing what is commonly called (...) a melody.” And this publication stuck to its guns. On May 22, 1853, it said of Rigoletto that it “lacks melody. This opera has hardly any chance to be kept in the repertoire.” The May 1804 issue of Zeitung für die Elegente Welt proclaimed Beethoven’s Second Symphony is a crass monster, a hideously writhing wounded dragon, that refuses to expire, and though bleeding in the Finale, furiously beats about with its tail erect................ (shrink)

In fin-de-siècle France, we witness a strange circulation of concepts between philosophy, theoretical and experimental psychology, and the borderline realm of what we would now call meta- or parapsychology. This was a time characterized by a complex process of redefinition of the disciplinary frontiers between philosophy and psychology, which favoured the birth of hybrid conceptualities and stark oppositions as well. Furthermore, the great scientific advances in physics, physiology, and psychology fostered hope for a full rational explanation of reality, even of (...) its most unfathomable layers and seemingly bizarre phenomena. Focusing on the case of Émile Boirac’s research on what he termed ‘cryptopsychism’, notably in his book Our Hidden Forces, this article aims to show how Kantian notions and models of consciousness belonging to the canon of French spiritualist philosophical psychology were taken up by scientists such as Pierre Janet and ended up being assimilated and discussed in the more obscure and precarious realm of scientific inquiry into metapsychical phenomena. Far from being a mere historical curiosity, this quest for a scientific account of the latent and subconscious life of the mind sheds light on the intricate relationship between philosophy and the human sciences between the 19th and 20th centuries. (shrink)

This paper is an overview of aspects of the French journal Annales des Sciences Psychiques (ASP, 1891-1919) with emphasis on nineteenth century developments. The ASP was founded by Charles Richet and Xavier Dariex. The development of the journal was assisted both by the prestige and influence of Richet as a scientist and of Félix Alcan as a publisher. For the nineteenth-century period the journal emphasized cases and experiments over theories. Much of this was about spontaneous telepathy and physical mediumship. Some (...) of the authors included in the pages of the ASP were Émile Boirac, Ernesto Bozzano, Albert de Rochas, Giovanni Battista Ermacora, Paul Joire, and Julian Ochorowicz. There were translations of the work of members of the Society for Psychical Research, such as Frederic W. H. Myers. In 1908 the ASP was affiliated with the Sociétè Universelle d’Études Psychiques, becoming its official publication. The ASP was important in establishing standards and in providing a forum for the development of psychical research in France. (shrink)