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Odours as Olfactibilia

In Thomas Crowther & Clare Mac Cumhaill (eds.), Perceptual Ephemera. New York, NY: Oxford University Press. pp. 93-114 (2018)

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  1. Grief, Smell and the Olfactory Air of a Person.Becky Millar & Louise Richardson - 2023 - Pacific Philosophical Quarterly 104 (4):769-790.
    Philosophical research into olfaction often focuses on its limitations. We explore instead an underappreciated capacity of the sense of smell, namely, its role in interpersonal experience. To illustrate this, we examine how smell can enable continuing connections to deceased loved ones. Understanding this phenomenon requires an appreciation of, first, how olfaction's limitations can facilitate experiences of the deceased person and, second, how olfaction enables experiences of what we refer to as the ‘olfactory air’ of a person. This way of experiencing (...)
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  • How we talk about smells.Giulia Martina - 2022 - Mind and Language 38 (4):1041-1058.
    Smells are often said to be ineffable, and linguistic research shows that languages like English lack a dedicated olfactory lexicon. Starting from this evidence, I propose an account of how we talk about smells in English. Our reports about the way things smell are comparative: When we say that something smells burnt or like roses, we characterise the thing's smell by noting its similarity to the characteristic smells of certain odorous things (burnt things, roses). The account explains both the strengths (...)
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  • Contextual variation and objectivity in olfactory perception.Giulia Martina - 2021 - Synthese 199 (5-6):12045-12071.
    According to Smell Objectivism, the smells we perceive in olfactory experience are objective and independent of perceivers, their experiences, and their perceptual systems. Variations in how things smell to different perceivers or in different contexts raise a challenge to this view. In this paper, I offer an objectivist account of non-illusory contextual variation: cases where the same thing smells different in different contexts of perception and there is no good reason to appeal to misperception. My central example is that of (...)
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  • Are Some Perfumes Works of Art?Brozzo.Chiara Brozzo - 2020 - Journal of Aesthetics and Art Criticism 78 (1):21-32.
    What more do we need to fully appreciate perfumes, beyond considering them objects for aesthetic appreciation? My contention is that our appreciation of some perfumes would be largely incomplete, unless we acknowledged them as works of art. I defend the claim that some perfumes are works of art from the point of view of different definitions. Nick Zangwill’s aesthetic definition makes it easy to defend the proposed claim, but is not very informative for the purposes of fully appreciating some perfumes. (...)
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  • Individuating the Senses of ‘Smell’: Orthonasal versus Retronasal Olfaction.Keith A. Wilson - 2021 - Synthese 199:4217-4242.
    The dual role of olfaction in both smelling and tasting, i.e. flavour perception, makes it an important test case for philosophical theories of sensory individuation. Indeed, the psychologist Paul Rozin claimed that olfaction is a “dual sense”, leading some scientists and philosophers to propose that we have not one, but two senses of smell: orthonasal and retronasal olfaction. In this paper I consider how best to understand Rozin’s claim, and upon what grounds one might judge there to be one or (...)
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  • A Puzzle About Aftertaste.Akiko Frischhut & Giuliano Torrengo - 2021 - In Andrea Borghini & Patrik Engisch (eds.), A Philosophy of Recipes: Making, Experiencing, and Valuing. Bloomsbury.
    When we cook, by meticulously following a recipe, or adding a personal twist to it, we sometimes care not only to (re-)produce a taste that we can enjoy, but also to give our food a certain aftertaste. This is not surprising, given that we ordinarily take aftertaste to be an important part of the gustatory experience as a whole, one which we seek out, and through which we evaluate what we eat and drink—at least in many cases. What is surprising (...)
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