The purpose of this article is to test how far the concepts of depth psychology can be used to further understanding of religiously motivated acts of violence that occurred in another age and another cultural environment. The particular behaviour studied is the violence exhibited in the lives of the Tamil Saiva saints of Southern India who lived in the sixth to eighth centuries CE. The relevant historical evidence is the account of their lives recorded in the hagiographical epic known as (...) the Periya Purānam of Cēkkilār . The term “depth psychology” is here taken to denote both the psycho-analytic theories of Sigmund Freud, Melanie Klein and their successors, and the analytical psychology of the Jungian school. It will be shown that in spite of the methodological difficulties, psychological concepts drawn from these sources can be used to throw light on the religiously motivated behaviour here considered. (shrink)

In the “Chapter on the Benefits to the Performer of the Dharma” in the Saddharmapuṇḍarīka, the Buddha proclaims the many remarkable transformations that will take place in the six sense faculties of the performer of the dharma. An analysis of this chapter clarifies both the sūtra’s normative vision for the performance of the dharmabhāṇaka who announces his sensory enhancements and the nature of the bodily transformations that the sūtra promises to enact upon him as a consequence of his performance. This (...) paper demonstrates that the performed sūtra enacts the interdependent rituals of abhi⋅eka and darśan through verbal practices of impersonation, self-praise, and ontological transformation. In the process, it sheds new light on the self-referentiality of some Mahāyāna sūtras as a form of performed and performative utterance that aims to transform both speakers and listeners. As in other traditions of sensory-somatic transformation through verbal impersonation in ancient South Asia, the ritual-dramatic utterance of the sūtra engenders a manifestation of presence that takes shape in the complex embodied intersections among the “original” speaker, the performer, and the audience. (shrink)