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  1. ‘This inscrutable principle of an original organization’: epigenesis and ‘looseness of fit’ in Kant’s philosophy of science.John H. Zammito - 2003 - Studies in History and Philosophy of Science Part A 34 (1):73-109.
    Kant’s philosophy of science takes on sharp contour in terms of his interaction with the practicing life scientists of his day, particularly Johann Blumenbach and the latter’s student, Christoph Girtanner, who in 1796 attempted to synthesize the ideas of Kant and Blumenbach. Indeed, Kant’s engagement with the life sciences played a far more substantial role in his transcendental philosophy than has been recognized hitherto. The theory of epigenesis, especially in light of Kant’s famous analogy in the first Critique, posed crucial (...)
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  • „Rasse“ und Naturteleologie bei Kant: Zum Rassismusproblem der Vernunft.Heiko Stubenrauch & Marina Martinez Mateo - 2022 - Deutsche Zeitschrift für Philosophie 70 (4):619-640.
    Immanuel Kant is, famously, not only the major philosopher of European enlightenment, but also one of the first philosophers to develop a philosophical theory of “human races”. How do these two sides of Kant relate to each other? What is the significance of race in Kant’s philosophy? In this article, we aim to discuss these questions by taking a close look into the conceptual and philosophical presuppositions underlying Kant’s understanding of race; relating them to the concept of teleology as developed (...)
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  • The Lenoir thesis revisited: Blumenbach and Kant.John H. Zammito - 2012 - Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences 43 (1):120-132.
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  • La promesa de lo bello: consideraciones acerca de la estética filosófica hacia finales del siglo XVIII.María Galfione - 2014 - Anales Del Seminario de Historia de la Filosofía 31 (1):131-153.
    El presente trabajo analiza algunas de las estrategias por medio de las cuales la reflexión estética de finales del siglo XVIII intentó dar respuesta al problema de la legitimación de la representación artística. Entre ellas es considerada con particular atención la redefinición del concepto de belleza que propone Immanuel Kant en la Crítica de la facultad de juzgar. A partir de la revisión de la postura kantiana, se pone en evidencia la conexión existente entre la crisis de fundamentación de la (...)
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