This essay pushes the history of a scientific discipline, morphology, toward a broader philosophically informed and cross-disciplinarily engaged history of knowledge. It shows that by looking at how knowledge and practices circulated between scientific disciplines (such as biology) and technoscientific ones (like architecture and design) we can better understand how (morphological) knowledge was produced. By doing so, the analysis contributes to the study of the mechanisms of knowledge exchange between the organic and the technical worlds and, more broadly, to the (...) study of the dynamics of knowledge circulation. First, the essay analyzes the engineering studies of organic form conducted by the Austro-Hungarian botanist Raoul Heinrich Francé (1874–1943) and the Scottish polymath D’Arcy Wentworth Thompson (1860–1948). Subsequently, the essay moves to twenty-first-century morphogenesis. It examines the transfer of the notion of morphospace, a paleontological practice of data visualization, into biology-inspired architectural design. The conclusion deals with the broader features of knowledge transfer and circulation. Twentieth- and twenty-first-century morphologists successfully translate and transfer morphogenetic processes from nature into technical artifacts to achieve technical solutions to given problems. In the translation of organic morphogenesis into a technical process, evolution’s intrinsic historical contingency was deliberately left behind. (shrink)

The progress towards mathematization or, in a broader context, towards an increased “objectivity” is one of the main trends in the development of biological systematics in the past century. It is commonplace to start the history of numerical taxonomy with the works of R. R. Sokal and P. H. A. Sneath that in the 1960s laid the foundations of this school of taxonomy. In this article, I discuss the earliest research program in this field, developed in the 1920s by the (...) Russian entomologist and biometrician Eugen (Evgeniy Sergeevich) Smirnov. The theoretical and methodological grounds of this program are considered based on the published works of Smirnov as well as some archival sources. The influence of Smirnov’s evolutionary (mechano-Lamarckian) convictions on the development of this project of “exact systematics” is analyzed as well as the author’s attempts to establish a novel concept of “mathematical essentialism” in animal taxonomy. The probable causes of the failure of Smirnov’s project are viewed from both externalist and internalist perspectives, including the opposition to the use of quantitative methods in biology by some of the Lysenkoist ideologists in the USSR. A brief comparison of Smirnov’s research program with that developed 40 years later by Sokal and Sneath is provided. (shrink)