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  1. ‘Superreader’: Riffaterre revisited.John Af Hopkins - 2007 - Semiotica 2007 (166):279-330.
    Abstract -/- This overview of Michael Riffaterre’s work in poetics aims to trace the development of the key concepts of Semiotics of Poetry (R.1978), from his initial ‘stylistics’ phase, moving through the subsequent New Criticism and Piagetian structuralist phases. There is an account of the debate with Jakobson and Lévi-Strauss over a valid method for interpreting a Baudelaire sonnet, in the course of which several elements of the mature theory are developed. These are treated in detail in the following section (...)
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  • “Little music” or “rough music”?: Ishion Hutchinson, modernist poet.John Hopkins - 2023 - Semiotica 2023 (250):27-41.
    In this essay I will suggest that part of what makes the young Jamaican poet Ishion Hutchinson so remarkable is the fact that much of his work – in this age of “anything goes” post-postmodernism – is clearly modernist poetry, in both structure and effect. This structure will be that explained in my expanded version of Michael Riffaterre’s semiotic theory of poetry, which deals with modernist work. I will suggest that one of the distinctive features of the latter is that (...)
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  • Eco, Riffaterre, and a poem by Baudelaire.John A. F. Hopkins - 2024 - Semiotica 2024 (257):103-123.
    In Eco’s work between around 1960 and 1992, “openness” in a modern literary text can mean (a) “permitting more than one interpretation,” and (b) “requiring a good deal of decoding work from the reader,” which is close to my own position. These two aspects of openness are demonstrated using Baudelaire’s Les Chats, in regard to which Eco denies that the text may be cristallin in Lévi-Strauss’s sense, while still requiring constructive effort from the reader. It is apparent that this term (...)
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