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  1. Reconsidering “Image Metaphor” in the Light of Perceptual Simulation Theory.Elisabeth El Refaie - 2015 - Metaphor and Symbol 30 (1):63-76.
    “Image metaphor” is defined in Conceptual Metaphor Theory as a mapping of visual structure from one entity onto another based on the mental images they evoke. It is considered an exceptional, one-off phenomenon that can be distinguished clearly from prototypical conceptual metaphors. However, according to Perceptual Simulation Theory, all language, both literal and nonliteral, is understood partially by simulating in our minds what it would be like to actually perceive the things that are being described, which suggests that visualization is (...)
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  • Hair of the Frog and other Empty Metaphors: The Play Element in Figurative Language.L. David Ritchie & Valrie Dyhouse - 2008 - Metaphor and Symbol 23 (2):85-107.
    In this essay we discuss a class of apparently metaphorical idioms, exemplified by “fine as frog's hair,” that do not afford any obvious interpretation, and appear to have originated, at least in part, in language play. We review recent trends in both play theory and metaphor theory, and show that a playful approach to language is often an important element in the use and understanding of metaphors (and idioms generally), even when metaphors can be readily interpreted by means of a (...)
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  • Integrational creativity: from combining and blending to transforming and resonating.Michael Beaney & Martha Kunicki - forthcoming - Inquiry: An Interdisciplinary Journal of Philosophy.
    In this paper we elaborate a conception of what we call integrational creativity, which aims both to capture the richest kinds of human creativity and to bring together certain existing conceptions of creativity in a way that we hope will resonate with what people have had in mind in talking of creativity. These conceptions are those offered by Arthur Koestler, Margaret Boden, and two conceptual blending theorists, Gilles Fauconnier and Mark Turner; and we show how these conceptions and the criticisms (...)
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  • Frame-Shifting in Humor and Irony.David Ritchie - 2005 - Metaphor and Symbol 20 (4):275-294.
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