Interactive media arts offer us new approaches to the role of theatrical representation. Nowadays, digital technology allows us to explore self-representation in systems that cross over between installation art, theatre and performance. By confronting the subject with his or her own image, these devices question the mechanisms of identification and denegation. Both the theatrical creations and the interactive forms that are examined here invite the spectator to explore the relationship between identification and denegation. All the artistic productions that are studied (...) in this article call for a virtual double that the immersant meets: Liquid Views (1992) and Rigid Waves ([1993] 2008) by Monika Fleischmann and Wolfgang Strauss, Telematic Dreaming ([1992] 2007) by Paul Sermon and Eux (2008) by the Crew company and Sensorama (2009) by the Andwhatbeside(s)death company. In all of these artworks, the participant is encouraged to give less importance to his or her cognitive senses in order to allow his or her sensations to create a representation of himself or herself. The overlap between identity and otherness is therefore to be found at the very heart of the sensitive body. (shrink)

This paper draws attention to the role of representation in the depiction of scientific and technological innovation as a means of understanding the narratives that circulate concerning the shape of things to come. It considers how metaphors play an important part in the conduct of scientific explanation, and how they do more than describe the world in helping also to shape expectations, normalise particular choices, establish priorities and create needs. In surveying the range of metaphorical responses to the digital and (...) biotechnological age, we will see how technologies are regarded both as 'endangerment' and 'promise'. What we believe 'technology' is doing to 'us' reflects important implicit philosophies of technology and its relationship to human agency and political choice; yet we also need to be alert to the assumptions about 'human nature' itself which inform such reactions. The paper argues that embedded in the various representations implicit in new technologies are crucial issues of identity, community and justice: what it means to be (post)human, who is (and is not) entitled to the rewards of technological advancement, what priorities (and whose interests) will inform the shape of global humanity into the next century. (shrink)

In this thesis I will examine the construction of the concept of Virtual Reality. I argue that rather than a technology of liberation as it is often perceived, virtual realities' conception has been influenced significantly by a discourse of control and order. I examine books, articles and films concerning Virtual Reality to support this claim. Furthermore this discourse of control and order is born out of a larger ideology of Western culture that values order and control. Throughout modernity this ideology (...) has manifested itself through techniques and technologies of social and environmental control. I provide a brief historical outline highlighting some of these techniques and technologies focusing particularly upon surveillance. I suggest that under the guiding influence of the ideology of order and control one possible future use for Virtual Reality technology may be as a surveillance technology. The ideology of order and control is born out of a desire to transcend the unpredictable nature of life. This desire is reflected in the VR proponents aim to create a totally known and controlled artificial environment. I contend that an alternative way of thinking is needed so that objects such as Virtual Reality can be used for more appropriate purposes other than controlling and ordering. I draw upon the philosophy of Martin Heidegger to outline a thinking that is more open, and reflective, and that embraces the chaotic nature of existence. Such a thinking that is focused more upon the actual conditions of our everyday lives, may yield uses for technologies such as Virtual Reality that are more focused upon people's needs. (shrink)

This article focuses on some of the negative aspects of cyberspace andcyberculture. First, it offers an examination of the impact of our use ofsocial media, and Facebook in particular, on our psyches, pointing out thatusers of social media can be thought of as audiences. These audiencesand information about them can be sold to marketers and advertisers.Next, it offers a case study of a widespread social problem in Japan, morethan a million media-obsessed Japanese young men, the hikikomori, who shut themselves off (...) from society for monthsor years at a time. This is followed by a discussion of the impact of mobiles,primarily smartphones, on American adolescents, some of whom textone hundred messages a day to their friends. The effects of the enormousamount of face-time young people spend with screens—around tenhours per day--are also considered. Finally, there is an examination of theimpact that Amazon.com, the leading e-commerce Internet site, has hadon American shopping practices and American culture and society. Thearticle concludes with a discussion of the work of Hubert Dreyfus aboutsome negative effects of the Internet and, by implication, cyberspace andcyberculture, which, he argues, drain life of meaning. (shrink)