This paper explores the nature, development and influence of the first English account of absolute time, put forward in the mid-seventeenth century by the ‘Cambridge Platonist’ Henry More. Against claims in the literature that More does not have an account of time, this paper sets out More's evolving account and shows that it reveals the lasting influence of Plotinus. Further, this paper argues that More developed his views on time in response to his adoption of Descartes' vortex cosmology and cosmogony, (...) providing new evidence of More's wider project to absorb Cartesian natural philosophy into his Platonic metaphysics. Finally, this paper argues that More should be added to the list of sources that later English thinkers – including Newton and Samuel Clarke – drew on in constructing their absolute accounts of time. (shrink)

We look at some interesting and important episodes in the life of early modern Epicureanism, focusing on natural philosophy. We begin with two early moderns who had a great deal to say about ancient Epicureanism: Pierre Gassendi and Ralph Cudworth. Looking at how Gassendi and Cudworth conceived of Epicureanism gives us a sense of what the early moderns considered important in the ancient tradition. It also points us towards three main themes of early modern Epicureanism in natural philosophy, which we (...) then discuss at greater length: atomism, materialism about the mind or soul, and the denial of providence, which was often accompanied by deflationary explanations of religious belief. (shrink)

Writing about the history of science and the history of philosophy involves assumptions about the role of context and about the relationships between past and present ideas. Some historians emphasize the context, concentrating on the intellectual, personal, and social factors that affect the way earlier thinkers have approached their subject. Analytic philosophers take a critical approach, considering the logic and merit of the arguments of past thinkers almost as though they are engaging in contemporary debates. Some philosophers use the ideas (...) of historical figures to support their own philosophical agendas. Scholarly studies of the French natural philosopher Pierre Gassendi (1592–1655) exemplify many of these .. (shrink)

Contentions about the origin of early modern empiricism have been floating about at least since the 1980s, where its exclusive “Britishness” was initially question, and the name of Gassendi was provocatively put forward as the putative “founder” of the current to the detriment of Francis Bacon. Recent scholarship has shown that early modern empiricism did not derive from philosophical speculation exclusively but had multiple sources and “foundations.” Yet, from a historical viewpoint, the question whether Bacon’s method had any influence on (...) the origin and development of Gassendi’s version of empiricism still carries significance, for its answer may open up different views on how the relation between British and “continental” empiricisms shall be framed. In this paper, I deal with Gassendi’s reception of Bacon. On the basis of a deep examination of Gassendi’s corpus, I contend that there is no trace of a consistent influence of Bacon on Gassendi’s empiricism before 1650s; although I show that an indirect influence can be found through the mediation of Peiresc, I put forward the hypothesis that it was more the empirical attitude characterizing Peiresc’s intellectual figure, rather than his interest in Baconianism, to be relevant, along with Epicurus’ philosophy, for Gassendi’s early empiricism. I then analyze Gassendi’s treatment of Bacon’s logic in Gassendi’s Syntagma philosophicum. I show that despite Gassendi’s sympathy for Bacon’s project, his own logic lays on fundamentally different assumptions. Despite this, I argue for Gassendi’s reception of Bacon’s theory of the idols in Syntagma philosophicum. On this basis, I conclude by restating the untenability of “national” accounts of the rise of empiricism, and the importance of highlighting instead the sharing of ideas between its actors. (shrink)