This paper is a critical review of the most relevant studies about the Levinasian concept of passivity. The purpose is to follow the way in which Levinas’s scholars have dealt with the following aspects: the relation between ethical passivity and the possibility of effective ethical agency, the origin of passivity, and the validity of ethical passivity in the public sphere. As a starting point for future research, I finally argue that the best way to read Levinas’s passive ethics is through (...) the dynamism between maximums and minimums present within it. This means that without sacrificing the omni comprehensive view of divine revelation and Jewish tradition, Levinas presents ethics as rationally understandable by everyone and philosophically defensible. Despite being biblically based, Levinas does not appeal to authority in supporting his view, he is confident in arguing rationally. This account could place Levinas in the way of public ethics, which consists in an ethos shared by all members of democratic societies. These minimums of justice could be the way to universalize Levinas’s ethics. (shrink)

Gillian Rose was a philosopher, social theorist, memoirist, and Jewish convert to Christianity who died an untimely death in 1995. She offers a novel account of faith, which grows out of her Hegelian philosophical background inflected by her reading of Kierkegaard and her rediscovered Jewish heritage. For Rose, faith is a mode of social practice. Rose's conception of faith is here reconstructed by translating her obscure jurisprudential idiom into the language of social practices and norms. The conception of secular faith (...) developed by Rose is shown to have implications for contemporary discussions of ethics and politics. The contemporary relevance of Rose's work is made clear through comparison with recent work by Robert Brandom, Robert Adams, and Patrick Deneen. (shrink)

History is narrated, as any good storyteller knows, and narration depends for its effects on our notions and metaphors. In their 2002 introduction to 'The Ways That Never Parted', Annette Yoshiko Reed and Adam H. Becker write “The notion of an early and absolute split between Judaism and Christianity, but also the 'master narrative' about Jewish and Christian history that pivots on this notion is being called into question”. In this thesis, by bringing the philosopher Jean-François Lyotard’s 'The Hyphen' into (...) dialogue with both the “parting of the ways” and many other voices from within Jewish and Christian studies, I continue this calling into question. This dismantling does not leave us bereft of notions, narratives, and concepts but with the beginnings of new ones; as Judith Lieu has claimed “a more flexible 'map' [is] required”, as are “different models to answer different questions or maintain different interpretations”. In a series of chapters, Lyotard’s concepts of “designators”, “idioms”, “obligation” and “differends”, are offered as some potential new models, and their interactions clarified. As well as conveying the, often implicit, sense these concepts had for Lyotard, further distinctions are layered in that he left unsaid. By way of this, a new conceptual schema for discussing religious “phrases” – encompassing both linguistic and other acts – is outlined and the areas for further elaboration within it are indicated. In each chapter, this schema is applied to specific texts from within Jewish and Christian studies, to see what new light it can cast on these debates, as well as to refine and test it. All of this is offered in support of a second level argument, that a renewed dialogue between Lyotard’s writings and Jewish and Christian studies could generate ways out of the impasses in each of their paths ahead. (shrink)

I reconstruct Lukács’s immanent critique of German Idealism, found within his essay ‘Reification and the Consciousness of the Proletariat’, in order to foreground his philosophical reflection on the concepts of mediation, logic, genesis and praxis. I situate this reflection within his philosophy of praxis as a whole before highlighting the dialectical development of these terms within it. They are posited initially as abstract, methodological demands and are subsequently concretised and enriched, via Lukács’s critical evaluation of the antinomies he discovers in (...) Kant, Fichte, Schelling and Hegel. My reconstruction is both exegetical and critical. I demonstrate that Lukács’s concept of praxis is explicitly intended to both bear the weight of Hegel’s Absolute and overcome it. On this basis, I propose a novel immanent critique of Lukács’s philosophy of praxis, suggesting that while Lukács wishes his concept of praxis to express a living, present and ontologically novel truth, his insight is won – in the fashion of Hegelian philosophy – after the historical event upon which it is built, as a philosophical reflection. Lukács’s self-contradiction is that while he regards his philosophy of praxis as having overcome speculative, Hegelian philosophy, in fact, the position he generates remains firmly but unconsciously within it. Consequently, Lukács’s philosophy of praxis possesses a theological dimension and must be regarded as an example of the kind of ‘conceptual mythology’ he sought to overcome. (shrink)

The article explores Jacques Derrida’s view of the secular as the field of the socio-political. It focuses on his argument as to why religion and politics cannot be strictly separated as in the classical modern paradigm. By engaging Derrida’s later writings, this article shows that the secular domain cannot be purified of all faith and is best thought of as theologico-political, where ‘theologico-political’ indicates the interrelatedness and distinction between the theological and the political. The article’s central claim is that by (...) opening up to some form of the theological that is not reducible to traditional conceptions, and to a faith that is not necessarily religious, Derrida provides significant resources for understanding the secular today in more complex and critical ways than usual approaches offer. (shrink)

The British social philosopher Gillian Rose (1947–1995) developed, in Dialectic of Nihilism, a way of posing the problem of ideology by showing the dependence of philosophical and social thought on historical legal concepts. She termed it ‘jurisprudential wisdom’ and through it aimed to expose unexamined presuppositions within philosophical consciousness and thereby to perform ideology critique on such consciousness. This article examines Rose’s version of ideology critique, first by setting out its context within post-Kantian thought and Rose’s own intellectual project. It (...) then tackles in detail Rose’s view that Roman law significantly shapes Kant’s form of rationality as a whole. It concludes that her argument is suggestive and highlights important features of Kant’s thought, but that it ultimately fails as an ideology critique. It does not follow that Rose’s form of ideology critique via jurisprudence fails as a whole; on the contrary, it retains plausibility. Rose’s misfire against Kant is a salutary lesson in the dangers of ideology critique and Kant’s survival of Rose’s attack is important for the assessment of his philosophy. (shrink)

This article examines the relationship between Marx’s Capital, Georg Lukács and Critical Theory through the prism of value-form theory. Marx’s theorisation of value understands commodities as expressions of the historical form of social relations defined by capital. Products of human labour become values in capitalist production, defined by the abstract quality of undifferentiated quantities of labour-power, exchangeable through the universal character of the market. The social form of this process, Marx identifies as processing a fetish quality, where humans take on (...) the thing-like character of commodities. The impact of this theorisation on Critical Theory has been considerable, beginning with Lukács’ concept of reification. In Part I, I examine the challenge to Lukács’ interpretation of Marx’s Capital made by Gillian Rose. She draws attention to a misidentification of reification in Marx, suggesting a strong conceptual distinction between commodity-fetishism and reification. In their conceptual flattening, Rose contends that Lukács and Critical Theory generalised Marx’s value-form theory, losing its speculative character. I argue that despite Rose’s suggestion remaining unfulfilled, she helps illuminate important tensions between Marx’s value theory and Critical Theory. This comparison allows in Part II for the beginning level of a speculative approach to Marx’s Capital to be advanced. (shrink)

Jean-Francois Lyotard's essay `Adorno as the Devil' had argued that Theodor Adorno's Philosophy of Modern Music was a `diabolic' work of `negative theology' which attributed to Schoenberg's music a secret redemptive power. However, in his later writings, such as the essays in The Inhuman, Lyotard has himself moved close to a `negative theological' position with respect to modernity, time, aesthetics and music. The paper uses the occasion of Lyotard's own theologically inspired essays on music, `God and Puppet' and `Obedience', to (...) re-evaluate the following: Adorno's claims that music transcends mere language and `reaches' for the theological; and more general claims within modern western culture on behalf of music's ability to express the inexpressible. The argument is that the music as negative theology position is not inherently metaphysical but rather that it reflects the importance of the `unsayable' to modern conceptions of reason. In resisting the `closure' of the modern narrative of reason, music, as a temporal art, has often given expression to the more radical forms of alterity present within modern forms of time. In other words, negative theology is not the discourse of the devil; it is the impossible discourse of western reason and its internal fracturing. (shrink)

Essays explore the significance of Julia Kristeva’s concept of intimate revolt for social and political philosophy. Over the last twenty years, French philosopher, psychoanalyst, and novelist Julia Kristeva has explored how global crises threaten people’s ability to revolt. In a context of widespread war, deepening poverty, environmental catastrophes, and rising fundamentalisms, she argues that a revival of inner psychic experience is necessary and empowering. “Intimate revolt” has become a central concept in Kristeva’s critical repertoire, framing and permeating her understanding of (...) power, meaning, and identity. New Forms of Revolt brings together ten essays on this aspect of Kristeva’s work, addressing contemporary social and political issues like immigration and cross-cultural encounters, colonial and postcolonial imaginations, racism and artistic representation, healthcare and social justice, the spectacle of global capitalism, and new media. Sarah K. Hansen is Assistant Professor of Philosophy at California State University, Northridge. Rebecca Tuvel is Assistant Professor of Philosophy at Rhodes College. (shrink)

The article has two aims: firstly, it provides a holistic account of Zygmunt Bauman’s oeuvre, and secondly, it presents an extensive up-to-date and multilingual bibliography of his published writings. The authors discuss Bauman’s prolificacy, as well as the stylistic, formal and substantive heterogeneity of his work. Taking this into account, they reflect on the curious reception of his oeuvre in the wider disciplinary field of sociology. The bibliography attached to the paper provides the most complete account of Bauman’s writings. Building (...) on previous bibliographies, and drawing on archival research in the Janina and Zygmunt Bauman Papers at the University of Leeds, the bibliography spans 63 years from his first publication to his most recent. Many of these papers – both in English and Polish – are presented for the first time in the list of his works. (shrink)