How can citizens construct the political authority under which they will live? I argue that Thomas Hobbes’s Leviathan (1651) answers this question concerning the constitutive power of political and normative agency by employing four dimensions of mimesis from the Greek and Roman traditions. And I argue that mimesis accounts for the know-how, or power/knowledge, the general ‘man’ draws upon in constructing the commonwealth. Hobbes revalues poetic mimesis through his stylistic decisions, including the invitation to the reader to read ‘himself’ in (...) the portrait of the general man depicted in the text. Hobbes aims for Leviathan to change the ethical dispositions of its readers, turning them from bad to good men as they witness the general man undergoing this ethical transformation in the transition from the state of nature to the civil state. He emphasizes the anthropological dimension of mimesis to explain political disorder since he argues that men assess the honor others attribute them by observing signs and gestures in others’ behavior. Hobbes employs the linguistic dimension of mimesis to describe how men acting as agents can build a normative consensus out of the state of nature. This article positions mimesis as a key term for understanding the intersection between aesthetics and politics before the term ‘aesthetics’ came into parlance. (shrink)

Aristotelian ideas have in the past been applied with mixed fortunes to quantum mechanics. One of the most persistent criticisms is that Aristotle’s notions of potentiality and actuality are burdened with a teleological character long ago abandoned in the natural sciences. Recently this criticism has been met with a model of the actualization of quantum potentialities in light of Aristotle’s doctrine of ‘spontaneous events’. This presumably restores the nowadays acceptable idea of efficient causation in place of Aristotle’s original doctrine of (...) the ‘four causes’. In this article I challenge the model by arguing that when properly scrutinized Aristotle’s final cause poses no problems for an Aristotelian reading of quantum mechanics. Final causes in fact provide a better ontology for quantum mechanics than spontaneous causation. The idea of ‘spontaneity’ is unanalyzable and therefore of little use in quantum mechanics. In addition, it is ontologically sterile in the context of quantum measurement, as shown by a historical and conceptual review of the role of efficient causation in experimental physics. (shrink)

This paper aims to assess the credibility of the legitimation thesis; the claim that the development of experimental science involved a legitimation of certain aspects of artisanal practice or craft knowledge. My goal will be to provide a critique of this idea by examining Francis Bacon’s notion of ‘mechanical history’ and the influence it exerted on attempts by later generations of scholars to appropriate the knowledge of craft traditions. Specifically, I aim to show how such projects were often premised upon (...) socio-epistemological ideals that served to reinforce, rather than relinquish boundaries between artisans and natural philosophers. It will be my claim that a closer examination of the presuppositions underlying attempts by early modern natural philosophers to appropriate craft knowledge reveals, not a desire to legitimize aspects of artisanal practice, but rather strategies aimed at demonstrating the inferiority of the local ways of knowing upon which it was based. (shrink)