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  1. Social contact, practice, organization and technical knowledge: Experiences of music students in the course of the COVID-19 pandemic.Claudia Spahn, Anna Immerz, Anna Maria Hipp & Manfred Nusseck - 2022 - Frontiers in Psychology 13.
    For music students, the COVID-19 pandemic has had a great impact, forcing them to adapt to certain coronavirus regulations laid down by the state. In this study, the experiences of music students in three consecutive semesters under different coronavirus-related conditions are investigated. At the end of three semesters, the lockdown semester [SS 2020: April – July], a partially opened semester [WS 2020/21: October – February] and a mostly opened semester, a total of 152 music students at the University of Music (...)
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  • Online Group Music-Making in Community Concert Bands: Perspectives From Conductors and Older Amateur Musicians.Audrey-Kristel Barbeau, Mariane Generale & Andrea Creech - 2022 - Frontiers in Psychology 13.
    At the beginning of the pandemic, many music ensembles had to stop their activities due to the confinement. While some found creative ways to start making music again with the help of technologies, the transition from “real” rehearsals to “online” rehearsals was challenging, especially among older amateur musicians. The aim of this case study was to examine the effects of this transition on three community band conductors and three older amateur musicians. Specific objectives were to explore intergenerational relationships to support (...)
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  • Music Student’s Approach to the Forced Use of Remote Performance Assessments.Laura Ritchie & Benjamin T. Sharpe - 2021 - Frontiers in Psychology 12.
    Music students at the University of Chichester Conservatoire completed questionnaires about their experience of the forced use of remote teaching and learning due to Lockdown, as imposed in the United Kingdom from March to June 2020, and how this impacted their self-beliefs, decision making processes, and methods of preparation for their performance assessments. Students had the choice to either have musical performance assessed in line with originally published deadlines via self-recorded video or defer the assessment until the following academic year. (...)
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