This article examines the impact of `exile' — as an individual or collective experience — on how human experience is theorized. The relationship between `exile' and thought is initially approached historically by looking at the period that Eric Dodds famously called the `age of anxiety' in late antiquity, i.e. the period between the emperors Aurelius and Constantine. A particular interest is in the dynamics of `empire' and the concomitant religious ferment as a context in which `exile', both experientially and symbolically, (...) appears to assume an overbearing significance. Plotinus' narrative of emanation and epistrophe as well as a group of narratives often classified as `Gnosticism' are juxtaposed as two radical examples of a wider spiritual trend at the time according to which `exile' could be considered constitutive of human experience. By way of an historical analogy, the insights gained from this study of late antiquity are then used to guide an analysis of the current, `restless' epoch, in which experiences of displacement and exile on a mass scale undermine traditional notions of belonging, thus reviving the gnostic vision of cosmic reality as an alien, exilic environment. The article concludes with a discussion of Jacques Derrida's work as an example of contemporary gnosticism, in which a `metaphysics of exile' is presented in the disguise of an `exile from metaphysics'. (shrink)

This article examines accounts of negation or the apophatic in Pseudo-Dionysius, Theodor Adorno and Jacques Derrida alongside a contemporary work of art by London Fieldworks, Null Object: Gustav Metzger Thinks about Nothing. By exploring models of negative knowledge offered in these works, it asks what happens to the work of art when it becomes preoccupied with negation and how a work of art might embody or manifest — without reproducing — philosophical discourses about negation.

In Graham Harman’s realist philosophy, which I call “ontological liberalism,” all objects are considered equal, there being no unbridgeable gap between various modes of being. Every object is a unique individual, endowed with a positive being. Any privileging of a certain class of objects over other classes of objects is invalidated. An object is composed of its relations, summarized under the heading of what Harman calls “sensual qualities,” while objects also contain mutually inaccessible essences. Supposedly, every object may be characterized (...) by the duality of relationality and substantiality. According to ontological liberalism, all objects exist. In this essay, I propose an ontological nihilist critique of Harman’s liberal ontology. We cannot exclude the possibility of every object being equally nonexistent. Appearances could pertain all the way down, with no final substance at the end of the infinite chain of appearances. Building on insights gleaned from Jan Westerhoff’s defence of ontological nihilism, I propose a nihilist reconfiguration of Harman’s ontological liberalism. If objects and relations are empty and reality is made of appearances all the way down, no underlying objective essence can or should be posited. Because relations are without basis, lacking in substance, nothing exists, nothing happens, and no objects exist. (shrink)

The tradition of negative theology has very deep roots which go back to the Late Greek Antiquity and the Early Christian period. Although Dionysius is usually regarded as “the Father” of negative theology, yet he has not initiated a revolution in the religious philosophy, but rather brought together various elements of thinking regarding the knowledge of God and built a system which is a synthesis of Platonic, neo-Platonic and Christian ideas. The aim of this article is to illustrate the views (...) of some more modern theologians on the nature, types and levels of apophaticism in the Greek Patristic tradition, trying to establish the role that negation can play in facilitating man’s attaining to the knowledge of God. (shrink)