Even while proclaiming that God is dead, Nietzsche often praises Islam and explicitly endorses the Laws of Manu. His praise of Islam and the Laws of Manu is usually tied to a critique of Christianity. Nietzsche’s own social ethic, based in Will to Power, advocates the exploitation of the weak. Tariq Ramadan often speaks appreciatively of Nietzsche, but his vision of social justice seems very similar to the Christian social ethic that Nietzsche constantly attacks. This essay examines the role that (...) Islam plays for Nietzsche and the role that Nietzsche plays for Ramadan. Despite their differences, both thinkers criticize the provincial tendencies in Western thought. (shrink)

Hubris is a notion that has recently acquired special urgency, as it seems to express in the post-communist era the demands of justice during the tragic clash between governance and violence. This ethico-political notion deserves to be studied not only in ancient writings but in modern drama and thought as well. Nikos Kazantzakis' unduly neglected Capodistria (1944) dramatizes the dilemmas of civic action during the democratic constitution of a polity. A reading of this tragedy from the perspective of political theory (...) suggests ways in which the meaning of hubris in modernity may be better understood. (shrink)

By dovetailing the classical concepts of virtue, beauty, harmony and happiness with the cardinal values of modern imagination, life and freedom, Agnes Heller galvanizes modernity's anthropological reflexivity and hints at the prospect of a classicism pertinent to the present. Beyond nostalgia for an ancient past or apology for a contemporary present, her moral anthropology is approached via a dialectical elucidation of aspects of epicurean theory attuned to modernity's complexity. Under the contemporary condition of waning postmodern challenges, escalating confusion and cynicism, (...) moral anthropology's task is as one of probing modernity's destiny for a non-predatory humanism that combines the existential wisdom of ancient theory with modern values. (shrink)

Much has been made of the ‘Southern difference’ in cultural and sociological images of the North American landscape. Everything isdifferent there: the cuisine, the music, the religion, and the politics. Moreover, the South was the crucible in which two of the definitive North American experiences were formed: the Civil War (1861–5) and the Civil Rights Movement a century later. This article poses another important category, in addition to ‘race and space’ – namely, the concept of tragedy, and the correlative rendering (...) of the South as ‘America's tragic landscape’. (shrink)