I adapt Robert Sinnerbrink's notion of cinematic poesis by arguing that Terrence Malick's The Thin Red Line constitutes an example of ecological cinematic poesis: a style of filmmaking that works in concert with the limits and potentialities of the filmmaking as a medium. This cinematic bearing emerges in a new way following Malick's return to Hollywood, where a combination of factors spur the emergence of a radical Emersonian practice of cinematic receptivity. I draw on oral histories, and the film itself, (...) to demonstrate how Malick's creative process consistently tends towards an ethos of poverty. To further pattern and illuminate the ecological stakes of this Emersonian stance, I draw on the complementary framework of second-order systems theory, and in particular, on Niklas Luhmann's concept of simultaneity. In so doing, I outline the layered nature of Malick's cinematic praxis – a doubled Emersonian receptivity which not only invites defamiliarizing depictions of warfare and the nonhuman, but also welcomes, and toys with, the otherness haunting technical images and human cognition. As such, The Thin Red Line, and its immediate counterparts, perform the ecological work of reframing the conditions of wonder, asking us to marvel not at what we have seen, but what we haven’t. (shrink)

The emergence of life in our societies stablishes one of the fundamental dimensions to understand our contemporary world. Biomedicine, biosecurity, biotechnology and bioterrorism are just some of the new concepts that appear due to this phenomenon. In this sense, this article will introduce one of the main current theories that aim to analyse this reconceptualization of life: posthumanism. Specifically, we will work on the proposals made by the Italian-Australian philosopher Rosi Braidotti and the German philosopher Peter Sloterdijk. Simultaneously, a project (...) of radical allokhronía will be proposed towards drift in evolution. This is made in order to overcome the persistence of the anthropocentric view that remains the main problem of both proposals for improvement of humanism. La emergencia de la vida en nuestras sociedades constituye una de las dimensiones prioritarias y fundamentales para comprender nuestra contemporaneidad. Biomedicina, bioseguridad, biotecnología o bioterrorismo, son sólo algunos de los nuevos conceptos que dan cuenta de este fenómeno. En este sentido, el presente artículo abordará una de las principales corrientes teóricas que se propone analizar dicha reconceptualización de lo vivo, a saber, el denominado "posthumanismo". Específicamente, se analizarán las propuestas desarrolladas por la filósofa ítalo-australiana Rosi Braidotti y el pensador alemán Peter Sloterdijk. Simultáneamente, se propondrá un proyecto deallokhroníaradical hacia la deriva de evolución que permita superar el vicio antropocéntrico que continúa siendo el eje prioritario de problematización de ambas propuestas de superación del humanismo. (shrink)