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  1. Walking with Odysseus: The portico frame of the Odyssey landscapes.Timothy M. O'Sullivan - 2007 - American Journal of Philology 128 (4):497-532.
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  • Resistindo à “Guerra às drogas” a partir de Homero: a multivalência do phármakon na odisseia.Erick Araujo & Gabriele Cornelli - 2022 - Trans/Form/Ação 45 (2):101-126.
    Resumo: Propõe-se uma leitura de três episódios da Odisseia, nos quais há o uso de um phármakon. São Helena, Circe e Hermes as personagens que administram as phármaka. Trata-se de leitura: 1) vinculada a um projeto: o levantamento e a interpretação de discursos que se distanciem e/ou questionem a perspectiva da “guerra às drogas”, algo como um projeto de extração de elementos textuais que possam servir como ferramentas teóricas, na construção de uma perspectiva menos mortífera em relação às substâncias; 2) (...)
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  • Plato's gods.C. W. P. Pehrson - 1990 - Polis 9 (2):122-169.
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  • Euboulia_ in the _Iliad.Malcolm Schofield - 1986 - Classical Quarterly 36 (1):6-31.
    The wordeuboulia, which meansexcellence in counselorsound judgement, occurs in only three places in the authentic writings of Plato. The sophist Protagoras makeseubouliathe focus of his whole enterprise(Prot.318e–319a):What I teach a person is good judgement about his own affairs — how best he may manage his own household; and about the affairs of the city — how he may be most able to handle the business of the city both in action and in speech.Thrasymachus, too, thinks well ofeuboulia. Invited by Socrates (...)
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  • Euboulia_ in the _Iliad.Malcolm Schofield - 1986 - Classical Quarterly 36 (01):6-.
    The word euboulia, which means excellence in counsel or sound judgement, occurs in only three places in the authentic writings of Plato. The sophist Protagoras makes euboulia the focus of his whole enterprise : What I teach a person is good judgement about his own affairs — how best he may manage his own household; and about the affairs of the city — how he may be most able to handle the business of the city both in action and in (...)
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  • The Dramatization of Emotions in Iliad 24.552–658.Ruobing Xian - 2020 - Philologus: Zeitschrift für Antike Literatur Und Ihre Rezeption 164 (2):181-196.
    This article argues that the episode in Il. 24.552–658 involving Achilles and Priam brings out the hero’s ability to control his emotions – even if he did lose them momentarily – by means of his calculation of what will come next. This interpretation fits the compositional structure of the epic, whose closure is highlighted by the hero’s dramatized emotions in his encounter with the Trojan king.
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  • The wrath of poseidon.P. Murgatroyd - 2015 - Classical Quarterly 65 (2):444-448.
    There is a major problem in connection with the wrath of Poseidon in Homer's Odyssey. We are told by Homer and Zeus that Poseidon raged continually against the hero from the time that the Cyclops was blinded until Odysseus reached Ithaca; and, when back on Ithaca the man complains to Athena about her absence and lack of help during the whole period of his wanderings after the fall of Troy, she says at 13.341-3 that she was avoiding confrontation with her (...)
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