In conversation with Didier Debaise, this piece thinks transversally across Nature as Event and Speculative Empiricism to explore some of the key stakes in his philosophy, namely: the relationship between the task of thinking a speculative empiricism and the problem of the bifurcation of nature. Engaging with the themes of nature, abstraction, dualism, pragmatism, and the role of stories in dramatizing our sensitivity to the world, the conversation develops Debaise’s contribution to theorising alternative modes of knowledge and experience capable of (...) admitting those infra-sensible, inaudible, or imperceptible qualities of events. Distinctly, Debaise introduces here the problem of ‘predatory abstractions’ as one way to understand the problem of bifurcation. Ethically, the question of predatory abstractions makes new demands on the social sciences: to story new abstractions capable of deepening our experience of nature. (shrink)

Gilles Deleuze (January 18, 1925–November 4, 1995) was one of the most influential and prolific French philosophers of the second half of the twentieth century. Deleuze conceived of philosophy as the production of concepts, and he characterized himself as a “pure metaphysician.” In his magnum opus Difference and Repetition , he tries to develop a metaphysics adequate to contemporary mathematics and science—a metaphysics in which the concept of multiplicity replaces that of substance, event replaces essence and virtuality replaces possibility. Deleuze (...) was also well-known for a number of important monographs he published in the history of philosophy (on Hume, Nietzsche, Kant, Bergson, Spinoza, Foucault, and Leibniz), as well as for his writings on the various arts, which include a two- volume study of the cinema, books on Proust and Sacher-Masoch, a monograph on the painter Francis Bacon, and a collection of essays on literature. Deleuze considered these latter works as pure philosophy, and not criticism, since he sought to create the concepts that correspond to the artistic practices of painters, filmmakers, and writers. In 1968, he met Félix Guattari, a political activist and radical psychoanalyst, with whom he wrote several works, among them the two-volume Capitalism and Schizophrenia , comprised of Anti-Oedipus (1972) and A Thousand Plateaus (1980). Their final collaboration was What is Philosophy? (1991). (shrink)