This article explores the rhythmic body with the example of the embodiment of the ‘bashment gal’ and the role she plays in the dancehall sound system session. It considers rhythm as an energetic patterning process operating both within and between media. Rhythm provides a means of communication and making sense that does not rely on representation or code. There are three elements to performance techniques of the rhythmic body – amplification, inflection and transduction. Amplification for the bashment gal’s performance techniques (...) involves increasing the size or effort of her dance movements, dancing in a chorus line accelerating her tempo. In what is considered as a hyper-sexualized arena of the dancehall session, it is argued that the bashment gal has to be understood in terms of African traditions where sexual pleasure and fertility are not separate. With rhythmic inflection the bashment gal gives distinctiveness to her performance, as is much prized in the style and fashion of the dancehall scene. The transduction of patterning from one medium to another, via tympanic surfaces, helps to forge the sound system session and the bashment gal as a rhythmic whole and fosters her sense of identity as a rhythmic body. (shrink)

The most important structural feature of the music of the New World is its often-time polyrhythmic and polymetrical character. This is also a key to unlocking the nature of social form and democratic persona in the diasporic and settler metropolises of the New World. In such settings, composers and musicians working with simultaneous temporalities, lines, groups, textures and characters offer intimations of a just totality for culturally fragmented societies.

Ce article a déjà paru dans la Revue des Traditions Musicales du Monde Arabe et Méditerranéen, n° 6, Beyrouth, 2012, p. 19-42 . Nous remercions Jean Lambert de nous avoir autorisé à le reproduire ici. Au-delà de ses aspects techniques et érudits, la réflexion générale qui y est menée intéressera tous les lecteurs concernés par les rapports entre métrique poétique et rythmique musicale. La séparation historique des études sur la musique (musicologie) et des études sur la poésie (linguistique, poétique) a (...) (...) - Musique et Musicologie – GALERIE – Nouvel article. (shrink)