This essay defends the claim that episodic remembering is a mental action by arguing that episodic remembering and sensory- or experience-like imagining are of a kind in a way relevant for agency. Episodic remembering is a type of imaginative project that involves the agential construction of imagistic-content and that aims at (veridically) representing particular events of the personal past. Neurally intact adults under normal conditions can token experiential memories of particular events from the personal past (merely) by intending or trying (...) to. An agent’s ability to actively remember depends not only on her being able to determine that some memory event occurs but on her ability to construct the relevant scene at will as well. I claim that the ability to guide construction with respect to imagistic-content is distinctive feature of a subset of active imagining. Episodic remembering is of a kind with that subset of active imagining by being a process of agential construction of imagistic-content, in this case, scene construction that aims at (veridically) representing the personal past. Agential scene construction in the context of remembering is the agent’s exploring her personal past as a highly circumscribed region of modal space. (shrink)

My goal in this paper is to argue that some cases of autobiographical remembering can be, and sometimes are, experienced aesthetically. Building on a Deweyan approach to the nature of aesthetic experiences, I show how Dewey conceived of aesthetic experiences as having a cumulative and progressive structure—I call experiences with such structure Deweyan experiences—and how that structure is replicated in some cases of autobiographical remembering in virtue of their having narrative structure. I also discuss the relationship between remembering and other (...) forms of narrative thinking and argue that not only it is easier for remembering to be experienced aesthetically, but also that only remembering can have the cumulative and progressive structure that characterizes Deweyan experiences. I conclude by showing how the Deweyan approach allows us to conceive of the aesthetic value of remembering in terms of the pleasurable or hedonic character of Deweyan experiences. (shrink)

Mental actions are things we do with our minds. Consider inferring, deliberating, imagining, remembering, calculating, and so on. I introduce a non-reductive alternative to standard causalist accounts of mental action that understands such action in terms of dispositions for performing mental actions. I call this alternative the powers framework. On the powers framework, habitual and skillful mental actions are themselves infused with practical intelligence by being expressions of the agent’s rational tendencies and capacities, respectively. The intelligence exemplified in the performance (...) of habitual and skillful mental actions stems from the agent’s having shaped the corresponding tendencies and capacities through training and practice. In this way, mental habits and skills are ‘second nature’ to us. I substantiate the powers framework by giving an account of imagining as a type of skillful mental action. In particular, I argue that imagination is a power to construct representations and select their contents as a means to performing learned behaviors like pretending, engaging with fiction, predicting others’ behavior, reasoning about possibility and necessity, reasoning hypothetically or counterfactually about contingent matters of fact, and even imagining for its own sake. I extend the account of imagining to episodic remembering. I argue that such remembering, considered as a mental action, is a kind of imagining by virtue of the agent’s constructing a representation and selecting its content as a means of performing the learned behavior of navigating her personal past. (shrink)