In this paper we propose a new interpretation of Hegel's views on action and responsibility, defending it against its most plausible exegetical competitors.1Any exposition of Hegel will face both terminological and substantive challenges, and so we place, from the outset, some interpretative constraints. The paper divides into two parts. In part one, we point out that Hegel makes a number of distinctions which any sensible account of responsibility should indeed make. Our aim here is to show that Hegel at least (...) has the materials for a sensible and nuanced account, whatever the precise details of how they hang together. Part two then turns to a hard question concerning the relation of two different aspects of our deeds to responsibility. We consider five alternate ways of relieving the tension in Hegel's text, before putting forth our own preferred solution. (shrink)

This paper argues that Hegel’s account of subjectivity and agency as historically coined is essential to an accurate understanding of his theory of tragedy. Focusing on Sophocles’ Oedipus the King, I argue that Hegel’s historical account of agency is necessary for understanding his theory of the ancient tragic hero. Although Hegel’s theory of ancient tragedy is often described in terms of a conflict between ethical spheres embodied in two individuals, the conflict in Oedipus is between Oedipus’ deeds and his later (...) knowledge of what has actually occurred. I show how this seemingly subjective conflict is in keeping with Hegel’s theory. Further, while Hegel sees Oedipus as wrong to take full moral accountability for the consequences of his deeds, at the same time, for Hegel, this is the right action for a tragic hero, and the very thing that renders Oedipus timelessly and tragically heroic, rather than a mere victim of fate. (shrink)

The contribution links three unusually connected suspects in order to tackle the question of human action, which is eminently at stake not only in the realms of politics and in the field of history, but also in philosophy, and, as a peculiar link between the two, theatre, namely: Hannah Arendt, G.W.F. Hegel, and William Shakespeare. And In order to connect all three authors and their respective fields of philosophy, politics, and theatre as regards the particular issue of action, the starting (...) point will be the figure of Achilles as portrayed in Homer’s Iliad. (shrink)

This essay discusses Kant and Hegel’s philosophies of action and the place of action within the general structure of their practical philosophy. We begin by briefly noting a few things that both unite and distinguish the two philosophers. In the sections that follow, we consider these and their corollaries in more detail. In so doing, we map their differences against those suggested by more standard readings that treat their accounts of action as less central to their practical philosophy. Section 2 (...) discusses some central Kantian concepts. In Section 3, we take a closer look at the distinction between internal and external action, as found in Kant’s philosophy of morality and legality. In Section 4, we turn to Hegel and his distinctions between abstract right, morality, and ethical life, as well as the location of his account of action within his overall theory of morality. We discuss the distinction between Handlung and Tat, and non-imputable consequences. The overall aims of our essay are to shed light on some puzzles in Kant and Hegel’s conceptions and to examine where their exact disputes lie without taking a stand on which philosophy is ultimately the most satisfactory. (shrink)

Dying is easy; comedy is hard. Comedy is sovereign. I begin with an excerpt from Bertolt Brecht’s Fugitive Conversations. Ziffel, a physicist, is chatting with the worker Kalle: For humor, I always think of the philosopher Hegel.... He had the makings of one of the greatest humorists among the philosophers.... I read his book The Great Logic once, when I had rheumatism and couldn’t move. It’s one of the greatest humorous works of world literature. It treats of the way of (...) life of concepts, those slippery, unstable, irresponsible existences; how they abuse one another and fight with knives and then sit down together to supper as though nothing had happened.... They can live... (shrink)