This dissertation reassesses the complex philosophical relationship between Sartre and psychoanalysis. Most scholarship on this topic focuses on Sartre’s criticisms of the unconscious as anathema both to his conception of the human psyche as devoid of any hidden depths or mental compartments and, correlatively, his account of human freedom. Many philosophers conclude that there is little common ground between Sartrean existentialism and psychoanalytic theory. I argue, on the contrary, that by shifting the emphasis from concerns about the nature of the (...) unconscious to questions about the role of imagination in psychical life, we can see that Sartre and Freudian-Lacanian psychoanalytic theory develop strikingly similar accounts of human subjectivity. After establishing the historical background of Sartre’s career-long engagement with psychoanalysis, I demonstrate the proximity of Sartre and Lacan on the nature of unconscious thought. I proceed to develop the claim that there is a homology between the concept of unconscious fantasy in psychoanalysis and the concept of the imaginary in Sartre’s philosophical corpus. Despite the concept of fantasy being one of the more structuralist-inspired aspects of Lacan’s metapsychology, I show that Sartre’s concept of the imaginary is likewise a structural feature of the psyche, one which establishes the coordinates within which the subject engages with the world. For Sartre, Freud, and Lacan fantasies form the core of subjectivity, giving form to the basic patterns of one’s character. Taken together, these three thinkers furnish a nuanced view of fantasy/the imaginary. On the one hand it is determining insofar as it is responsible for many of the psychopathologies met with in psychoanalysis. On the other hand, it is liberating insofar as the agency of the subject is implicated in the formation of fantasy. I thereby show that Sartre does not fit the caricatured picture of a radical voluntarist that is often attributed to him and that psychoanalysis can accommodate a conception of human freedom. (shrink)

In Sartre’s 1946 article “The Humanism of Existentialism,” Sartre places existentialists into two categories, Christian or atheist, and contends that existentialism works differently for each of them. This paper argues that such a distinction should not have been made because existentialist beliefs, views, and themes do not differ based on one’s religiosity. This paper specifically examines three examples in Sartre’s article which undermine his position, and further argues that Sartre made an equivocation fallacy by conflating two different types of essence, (...) one’s innate essence and one’s character essence. The paper then explores six central existentialist themes to demonstrate that in their existentialist beliefs both the theist and the atheist agree. Those six themes are authenticity, sincerity vs. bad faith, the absurdity of life, the meaning of life, choice, and responsibility. The paper also examines the issue of moral objectivity vs. non-objectivity, and argues that not only is this not an existentialist issue, but even if it were one’s belief on moral objectivity does not cleanly correspond to one’s religious beliefs, so here again there is no basis to distinguish the Christian and the atheist. The paper concludes that any disagreement between existentialists who are Christian and those who are atheist comes down to differences in their religious beliefs, not their existentialist views. (shrink)

This is a review of Margaret Simons's book, Beauvoir and the Second Sex: Feminism, Race, and the Origins of Existentialism.

Drawing on Ludwig Binswanger’s work, this paper seeks to reconstruct historically and theoretically his relationship with Freud and Psychoanalysis and to trace his ideas with regard to the Unconscious. Tied to Freud by a friendship lasting thirty years, it started mainly from his encounter with the philosophy of Immanuel Kant, Alexander Pfänder, Franz Brentano, Edmund Husserl, Martin Heidegger and Martin Buber that Binswanger developed an original system of thinking and clinical application. The issue of the unconscious, beginning from this theoretical (...) shift, underwent a radical reformulation. First, Heideggerian thought allowed him to recognize the importance of different World-Projects, intended as existential a priori characterized by a specific internal normativity. Subsequently, the return to Husserl’s thinking lead Binswanger to rethink again the unconscious issue in light of the field of Passive Synthesis. In this paper we will examine all these issues and reconsider their importance for psychotherapeutic practice. (shrink)

It is typically held that Sartre is a thinker of transcendence, inasmuch as he retains a subject–predicate structure via intentional consciousness and ruptures an otherwise insular domain through his dialectic of the self. Against such interpretations, this article argues that in following the progression of Sartre’s thought, we will come to see a deepening engagement with, and development of, immanence in the spirit of Deleuze. Specifically, Sartre steadily develops a dialectic in which consciousness, while relating to an ‘outside’, is construed (...) as also thoroughly embedded in that outside through the subject-body of the flesh and relations of desire. From this comes a conceptualisation of the in-itself and for-itself as simulacra or topological variations of a more primordial intertwining or fabric of univocal Being. In this sense, we are immediately taken away from the subject of social contract theory, insofar as this presumes an asocial self, and the notion of identity as the sine qua non of politics, insofar as this presumes the terrain of an inexplicable transcendent Other. This brings with it a take on politics that prefigures and is concomitant with Deleuzian micropolitics, while also serving to complement it through the retention of the ego as a practical function. (shrink)

After her curriculum proposal is presented, Noddings' feminine ethics is submitted to a critique through an interpretation of her three books. Her distortion of Gilligan and Chodorow is explained. Indebtedness to male sources is noted. The over-emphasis upon good and upon first-person experience is criticised and traced to feminist rage, which is interpreted as the result of the oppression of women. Noddings' suppressed 'Kantianism' is explicated to maintain the dialectic between so-called male and female voices. Main strengths of her curriculum (...) proposal are interpreted more broadly than her perspective allows to indicate a promising return to normative, macro-theory of education. (shrink)

While the genesis of self-awareness at approximately 18 months old is a dramatic landmark in human development, there is at this stage no explicit awareness on the toddler's part of his/her truly standing apart from others. Only much later does a distinct sense of self shift into focus, and here Sartre provides us with a compelling theory of a first reflective experience of self-awareness. He explains this phenomenon by emphasizing a violent shift in ontological status, one in which the pre-adolescent (...) child is precipitated from functional unity with a primary caregiver to an individuated state involving self-awareness as privative, i.e. where the child becomes aware of existing only in the form of not-being-the-adult. For Sartre this new experience of self is not therefore positive but rather formal or empty; there has in fact been a psychic transition, from being to nothingness. In addition, Sartre also states that all children first explicitly experience themselves in this fashion. These claims find support in the work of developmental psychologist Margaret Mahler. In fact, in spite of the vast developmental discrepancies between toddler and pre-adolescent child, given the appropriate environmental triggers privative subjectivity will be shown to involve a regression to the much earlier rapprochement stage of development described by Mahler. (shrink)

The form of life which has the desire for or will to control over emergence at its core is, if not the dominant, then at least one of the more significant ones in late modern culture. To be in control over emergence requires a considerable degree of sovereignty. In this contribution I have made an attempt to outline and contrast three rather basic images or models of what might be called radical sovereignty, i.e., the vital-reflexive-transgressive one (which is referred to (...) here as Nietzsche type 1), the existential-reflective-transcendent one (Nietzsche type 2), and the ambivalent-creative-transformative one (Nietzsche type 3). The analysis of paintings by post-war artists such as Jackson Pollock, Mark Rothko, and Paul Rebeyrolle is used to illustrate how the aforementioned types of radical sovereignty may have emerged, fully-fledged, in art, in the wake of the Second World War. (shrink)

What for Sartre happens when bad faith goes so deep that one is no longer master of it? In The Condemned of Altona, Franz Gerlach, after an initial show of resistance, joins the Nazi cause and tortures prisoners of war in his charge. Fleeing home from Russia at the war’s end, he sequesters himself in the attic of the family mansion and attempts to absorb the guilt of the twentieth century by frantically arguing his case before a tribunal of scuttling (...) crabs.What does Sartre’s portrayal of hallucination tell us about the human condition and is it the result of insanity? As a harbinger for the Critique of Dialectical Reason, Sartre’s ontology has shifted away from an emphasis on human isolation and absolute freedom to a concern with how behaviour, even of an irrational kind, is a profound reflection of one’s place in a social hierarchy. Also a reflection of a CDR-type approach, Sartre’s views change regarding the status of truth and interpersonal relations. For while someone like Nausea’s Roquentin exhibits a redemptive value through introspection, fantasy and private experience, Franz’s behaviour points to a repeated failure to deal with social reality and the associated attempt to redeem his own existence by acting authentically towards others. (shrink)

I defend three claims regarding Foucault’s historical a priori and the intelligibility of history that counter commonly received accounts of Husserl’s approach to the same. First, Foucault is not a transcendental thinker in the Kantian sense of the term. His use of the HP is contingent, postdictive, regional and hypothetical. Second, the three “axes” of the dyads knowledge/truth, power/government, and subjectivation/ethics along with Foucault’s “history of the present” enclose a space called “experience” Erfahrung as nonreflective and “freed from inner life.” (...) At this point, “experience” and “multiplicity” coalesce to confirm Foucault’s anti-phenomenological bias and nominalist commitment. Finally, the relations of transformation and displacement that define archaeological change support a “fittingness” between the epistemes in question. Neither necessitating nor aleatory, their relation could be called “aesthetic” in a broad sense. I conclude by listing ways Husserl’s approach to historical intelligibility is the inverse of Foucault’s. (shrink)

We have attempted to delineate various components of the researcher's participation in the reflection phase of descriptive psychology. The characteristic attitude or posture, operations for the comprehension of a particular event, and activities which achieve general knowledge have been touched upon. This presentation is a preliminary attempt to bring into view the complex process of analysis in descriptive research and is intended as an invitation to more faithful and detailed accounts of the process in the future.

The title of this article refers to Beauvoir's essay Must We Burn De Sade?. Analogous to Beauvoir's essay on Sade, this article is something of an apology for Foucault. I use Beauvoir's essay on Sade to discuss Foucault's concept of ethics as an art of living. I conclude that the final Foucault's thought on ethics can be labelled a post-existentialism, combining postmodern thinking and the issues of freedom and commitment in an inspiring way. I argue, however, that the heuristics of (...) Foucault's later work is undertheorized. Comparing Foucault's approach with Beauvoir's own concept of ethics as art of living shows hers to be superior in that it has a place for the emotions. The cold stoicism of the final Foucault only deals with emotion from the point of view of repression and sublimation. Foucault's post-existentialism must therefore be enriched with Beauvoir's concepts. I conclude that aspects of the theoretical frameworks of both Foucault and Beauvoir can contribute to the solution of some of the dilemmas of postmodern thinking with respect to politics and political theory. (shrink)

What explanation can be given for the relevance of literature to Bourdieu's theoretical work? In order to explain this choice of object, in the first part of this article I consider the national and international context within which Bourdieu's theory has been built. In the French intellectual space literature was a central theoretical object. In the international context, the attention paid to literature was justified by the importance given to the symbolic phenomena in the main contemporary theoretical traditions. In order (...) to appreciate the singularity and difficulty of Bourdieu's theoretical acquisition, I try to reconstruct the problems that he attempted to resolve, the theoretical possibilities with regard to which his hypotheses were defined, and the position that he held in his field of production at the time in which they were formulated. In Bourdieu's thought, this conjunctural dimension does not imply that a theory is particularized or relativized. So he presented his theoretical frameworks on literature as a model applying to any kind of cultural products. In the second part of my paper I intend to test these claims by examining under what conditions and to what extent his `Principles of a science of works' have been considerd transposable to other national contexts and/or to new objects. (shrink)

. Several recent Roman Catholics who were known for their devotion have left accounts of their troubled faith. I consider three of these: St. Therese of Lisieux, Mother Teresa of Calcutta, and Pierre Teilhard de Chardin. Then I tell of the troubled atheism of Jean‐Paul Sartre. Finally, I use texts of Sartre and Teilhard to understand the unsettled nature of belief.