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This essay offers a novel approach for understanding the poetry of negritude and its role in the struggle for black liberation by appealing to Giambattista Vico’s insights on the historical, cultural, and myth-making function of poetry and of the mythopoetic imagination. The essay begins with a discussion of Vico’s aesthetic historicism and of his ideas regarding the role of imagination, poetry, and myth-making and then brings these ideas to bear on the discussion of the function of negritude poetry, focusing primarily (...) |
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The foundation of phenomenological image theories is the view that image perception leads to a perception sui generis . In order to grasp this peculiarity of image perception, two ways have traditionally been considered: either through a description of the particular object of image perception or through a description of the unique origin of image perception. This article explores a third way within the phenomenology of the image by trying to determine the uniqueness of image perception through its peculiar, necessary (...) |
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In my ethnographic research on death and dying in contemporary Finland, I explore how Finns facing end of life due to a long-term illness or other terminal condition seek to orient themselves and make meaning with cultural tools such as imagery, language, and metaphysical thinking. My primary research material is based on extensive fieldwork at Terhokoti Hospice and in the cancer clinic of Helsinki University Hospital, where I have had numerous conversations with terminally ill patients. This paper seeks to explore (...) |
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In this paper, I will present an argument against Husserl’s analysis of picture consciousness. Husserl’s analysis of picture consciousness (as it can be found primarily in the recently translated volume Husserliana 23) moves from a theory of depiction in general to a theory of perceptual imagination. Though, I think that Husserl’s thesis that picture consciousness is different from depictive and linguistic consciousness is legitimate, and that Husserl’s phenomenology avoids the errors of linguistic theories, such as Goodman’s, I submit that his (...) |
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Organized across national boundaries and with millions of supporters worldwide, transnational environmental activist groups such as Greenpeace, the World Wildlife Fund, and Friends of the Earth play a central role in the way the world addresses environmental issues. This book provides the most systematic and theoretically informed study to date of the strategies these organizations use to advance global environmental protection. Based on case studies of three transnational groups, it argues that in addition to lobbying governments, activists operate within and (...) |
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Images share a common feature with all phenomena of imagination, since they make us aware of what is not present or what is fictional and not existent at all. From this perspective, the philosophical approach of Kendall Lewis Walton—born in 1939 and active since the 1960s at the University of Michigan—is perhaps one of the most notable contributions to image theory. Walton is an authoritative figure within the tradition of analytical aesthetics. His contributions have had a considerable influence on a (...) |
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In this article, I argue against a widespread misconception concerning the nature of things in Sartre’s philosophy. Sartre’s conception of the nature of things concerns the idea that outside of consciousness a single undifferentiated mass of brute being exists which is divided into definitive things by consciousness. I propose a different reading of Sartre’s realism. Such a reading is based primarily on Nausea, Being and Nothingness and Consciousness of Self and Knowledge of Self states that, contra common conception, there is (...) |
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This essay first tries to answer two questions: Why did the question of the woman writer disappear from the feminist theoretical agenda around 1990? Why do we need to reconsider it now? I then begin to develop a new analysis of the question of the woman writer by turning to the statement `I am not a woman writer'. By treating it as a speech act and analysing it in the light of Simone de Beauvoir's understanding of sexism, I show that (...) |
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This article aims to conceptualize the interplay between sarcasm, scatology and writing in Darija (Moroccan Arabic or Al-Maghribia) on the web in a post-uprising era. It focuses on the new Darijophone prose that emerged after 20 February 2011 protests in Goud and The Newزحيليكر (The New Bumpkin). Originating with absurdist February 20 movement founder member, Mohammed Sokrat, this writing genre is realist, vulgar, profane, taboo-breaking, and borrows from the toilet space to poke fun at the schizophrenia, herd mentality and populism (...) |
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This response to Richard Shusterman's Philosophy and the Art of Writing focuses on his concern that philosophy is, first and foremost, a way of life, illustrated in the West by the Socratic ideal of the philosopher and in the East by the example of the scholar-artist-gentleman. This paper examines the process of Buddhist meditation and the process of creating novels, supplementing the authors Shusterman carefully examines with examples from Black American literature, the author's own teacher John Gardner, and artistic colleagues (...) |
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Seemingly a minor part of L’Imaginaire, Sartre’s literary examples therein are of great significance especially in the way they highlight the implicit yet crucial role of linguistic signs and words in his psychology of the image. While commenting on the act of reading a novel, he views literary words practically as images, endowing them with both an affective and representative status and illustrating the word-image through the figure of a drawing or dessin. The novel’s word-images or dessins solve an important (...) |
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_Essays on Beauvoir’s influences, contemporary engagements, and legacy in the philosophical tradition._. |
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In this provocative book, Nye argues that feminist attempts to spin coherent theories from the threads of the various philosophies of man fail as the patriarchal assumptions of each theory resist and undermine every effort. Nevertheless, she claims, although the threads cannot be woven into a coherent tapestry, as dedicated feminist Arachnes meticulously separate strand from strand, "the mechanisms of oppression are finally understood" and the patriarchal tapestries begin to unravel. |
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This dissertation critically engages the meaning and scope of the category of the ‘essay film’; a term that has gained increasing currency in recent decades in film studies and contemporary art to group a diverse array of moving-image works. Departing from recent literature on the essay film, the essay, as I argue, should be conceived less as a stable generic category, than as a dynamic form and experimental mode of writing and filmmaking, which employs and cuts across diverse literary, cinematic (...) |
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Examines Jean-Paul Sartre’s antiracist politics and his contributions to critical race theories, postcolonialism, and Africana existentialism. |
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Existentialist thought is an emerging area of significance to leadership learning. This in part appears due to leadership discourse being captured by the modern rationalist tradition; this tends to encourage leadership research to seek at times to present a coherent and unified understanding which some regard as unsatisfying or reductive. This dissatisfaction adds to the idea that leadership is a contested topic as well as open to new paths of enquiry. Existentialist thought offers a thematic that straddles rationalist and non-rationalist (...) |
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This paper considers the move from passivity to a generative passivity in Merleau-Ponty’s ontology. In The Visible and the Invisible Merleau-Ponty calls this generative passivity a “secondary passivity” and in his passivity lectures he describes it as “passivity without passivism.” The paper argues that this secondary passivity must be understood in terms of an écart within the phenomena. That is, in terms of a separation and distance which is matrixed and configured within what appears. This is the basis for Merleau-Ponty’s (...) |
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The fictionalist paradigm is introduced, and differentiated from other paradigms, using the Lincoln & Guba template. Following an initial overview, the axioms of fictionalism are delineated by reference to standard metaphysical categories: the nature of reality, the relationship between knower and known, the possibility of generalization, the possibility of causal linkages, and the role of values in inquiry. Although a paradigm's ‘basic beliefs’ are arbitrary and can be assumed for any reason, in this paper the fictionalist axioms are supported with (...) |
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The question of nothingness occupies the thinking of a number of philosophers in the first half of the twentieth-century, with three of the most important responses being those of Henri Bergson, Martin Heidegger, and Jean-Paul Sartre. Surprisingly, however, there has been little discussion of their specific comments on nothingness either individually or comparatively. This paper starts to remedy this by suggesting that, while Bergson dismisses nothingness as a pseudo-problem based in a flawed metaphysical understanding, Heidegger, in What is Metaphysics?, claims (...) |
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Reading numerous readings of Jacques Derrida made by Richard Rorty during the period of the last twenty years or so, one can get the impression that Rorty admires French deconstructionist without reservations, presenting him as an example of a new way of practising philosophy - a way which is private, idiosyncratic and publicly uncommitted, which is original, but publicly useless, which, finally, leads to individual autonomy. A way leading to self-creation, getting out of the influence and power of one’s precursors (...) |
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