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The emergence of creativity

Philosophical Psychology 12 (4):447 – 469 (1999)

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  1. Developing creativity: Artificial barriers in artificial intelligence. [REVIEW]Kyle E. Jennings - 2010 - Minds and Machines 20 (4):489-501.
    The greatest rhetorical challenge to developers of creative artificial intelligence systems is convincingly arguing that their software is more than just an extension of their own creativity. This paper suggests that “creative autonomy,” which exists when a system not only evaluates creations on its own, but also changes its standards without explicit direction, is a necessary condition for making this argument. Rather than requiring that the system be hermetically sealed to avoid perceptions of human influence, developing creative autonomy is argued (...)
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  • A World of Muscle, Bone & Organs: Research and Scholarship in Dance.Simon Ellis, Hetty Blades & Charlotte Waelde (eds.) - 2018 - Coventry, United Kingdom: Coventry University.
    A World of Muscle, Bone & Organs: Research and Scholarship in Dance is an e-book exploring contemporary ideas and themes in the research and practice of dance. It contains 23 chapters written by researchers at the Centre for Dance Research (C-DaRE), Coventry University, and is divided into six sections: Spaces of Practice, Philosophy, Communities, Politics, Data and Thinking, and Epistemology.
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  • Theatrical Performance as Leisure Experience: Its Role in the Development of the Self.José Vicente Pestana, Rafael Valenzuela & Nuria Codina - 2020 - Frontiers in Psychology 11:525864.
    Theatre has been used in psychological intervention and as a metaphor for social life, tendencies that affect the self, highlighting how influential theatrical performance can be for individuals. Their limitations – in terms of the empowerment of the self and its authenticity, respectively - can be overcome by treating theatrical performance as a leisure experience, which considers that freedom and satisfaction play a central role in a more comprehensive understanding and development of the self. With this in mind, we present (...)
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  • Penyebaban Sosial (Social Causation) dalam Individualisme Non-Reduktif R. Keith Sawyer.Banin Diar Sukmono - 2016 - Cogito: Jurnal Mahasiswa Filsafat 3 (1):23-48.
    Artikel ini bertujuan untuk memaparkan bagaimana penyebaban sosial dapat terjadi dalam perspektif individualisme non-reduktif (Non-reductive Individualism/NRI) R. Keith Sawyer. NRI adalah perluasan argumen fisikalisme non-reduktif dari filsafat akal budi untuk memberikan bingkai (framework) baru dalam melihat debat ontologis dan metodologis filsafat ilmu sosial. Cara yang digunakan adalah membasiskan landasan ontologis ilmu sosial pada eksistensi individu (individualisme ontologis), sekaligus mengiyakan dua level analisis properti, yakni level individual (bawah) dan sosial (atas) (dualisme properti). Mengingat posisi non-reduktif selalu dibayangi problem overdeterminasi dan epifenomena (...)
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  • How Radical Is Embodied Creativity? Implications of 4E Approaches for Creativity Research and Teaching.Laura H. Malinin - 2019 - Frontiers in Psychology 10.
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  • Creativity in the Here and Now: A Generic, Micro-Developmental Measure of Creativity.Elisa Kupers, Marijn Van Dijk & Andreas Lehmann-Wermser - 2018 - Frontiers in Psychology 9.
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  • Dance Improvisational Cognition.Klara Łucznik & Frank Loesche - 2017 - Avant: Trends in Interdisciplinary Studies 8 (T):227-238.
    Research into group creativity with its dynamic, interpersonal, and multi-perspective character poses many challenges, among others, how to collect data and capture its shared nature. In this paper, we discuss the creative process of an ensemble in dance improvisation as an example of vivid and collaborative creative practice. To identify aspects of improvisational dance cognition, we designed and applied a video-stimulated recall approach to capturing the multiple perspectives of the shared creative process. We tested the method during an improvisational session (...)
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  • Suspending Belief and Suspending Doubt: The Everyday and the Virtual in Practices of Factuality. [REVIEW]Nicolas J. Zaunbrecher - 2012 - Human Studies 35 (4):519-537.
    From an ethnomethodological perspective, this article describes social actors’ everyday and virtual stances in terms of their practices of provisional doubt and belief for the purpose of fact-establishment. Facts are iterated, reinforced, elaborated, and transformed via phenomenal practices configuring relations of equipment, interpretation, and method organized as “other” than, but relevant to, the everyday. Such practices in scientific research involve forms of suspended belief; in other areas they can instead involve forms of suspended doubt. As an illuminating example of this (...)
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