We have been accustomed at least since Kant and mainstream history of philosophy to distinguish between the ‘mechanical’ and the ‘teleological’; between a fully mechanistic, quantitative science of Nature exemplified by Newton and a teleological, qualitative approach to living beings ultimately expressed in the concept of ‘organism’ – a purposive entity, or at least an entity possessed of functions. The beauty of this distinction is that it seems to make intuitive sense and to map onto historical and conceptual constellations in (...) medicine, physiology and the related natural -philosophical discussions on the status of the body versus that of the machine. In this presentation I argue that the distinction between mechanism and teleology is imprecise and flawed, on the basis of a series of examples: the presence of ‘functional’ or ‘purposive’ features even in Cartesian physiology; work such as that of Richard Lower’s on animal respiration; the fact that the model of the ‘body-machine’ is not at all a mechanistic reduction of organismic properties to basic physical properties but on the contrary a way of emphasizing the uniqueness of organic life; and the concept of ‘animal economy’ in vitalist medical theory, which I present as a kind of ‘teleo-mechanistic’ concept of organism – neither mechanical nor teleological. (shrink)

Historically embryogenesis has been among the most philosophically intriguing phenomena. In this paper I focus on one aspect of biological development that was particularly perplexing to the ancients: self-organisation. For many ancients, the fact that an organism determines the important features of its own development required a special model for understanding how this was possible. This was especially true for Aristotle, Alexander, and Simplicius, who all looked to contemporary technology to supply that model. However, they did not all agree on (...) what kind of device should be used. In this paper I explore the way these ancients made use of technology as a model for the developing embryo. I argue that their different choices of device reveal fundamental differences in the way each thinker understood the nature of biological development itself. In the final section of the paper I challenge the traditional view (dating back to Alexander's interpretation of Aristotle) that the use of automata in GA can simply be read off from their use in the de motu. (shrink)

This paper reconstructs Margaret Cavendish’s theory of the metaphysics of artifacts. It situates her anti-mechanist account of artifactual production and the art-nature distinction against a background of Aristotelian, Scholastic, and mechanist theories. Within this broad context, it considers what Cavendish thinks artisans can actually do, grounding her terminological stipulation that there is no genuine generation in nature in a commitment to natural and artistic production as the mere rearrangement of bodies. Bodies themselves are identified, in a conceptually Ockhamist manner, with (...) their figures, so that the resulting theory of mere rearrangement is Scholastically respectable. The paper also offers literal interpretations, focused narrowly on the philosophical content of her theories of art and artifacts, of her claims that art concerns only “nature’s sporting or playing actions”, that its products are “deformed and defective”, and that they are “at best …mixt or hermaphroditical.". (shrink)

In this paper I outline a role for mechanistic conceptions of organisms in ancient Greek natural philosophy, especially the study of organisms. By ‘mechanistic conceptions’ I mean the use of ideas and techniques drawn from the field of mechanics to investigate the natural world. ‘Mechanistic conceptions’ of organisms in ancient Greek philosophy, then, are those that draw on the ancient understanding of the field called ‘mechanics’ — hê mêchanikê technê—to investigate living things, rather than those bearing some perceived similarity to (...) modern notions of ‘the mechanical.’ I have argued elsewhere that evidence of mechanistic conceptions of the natural world can be found, not only among seventeenth and eighteenth century ‘mechanical philosophers,’ but also—albeit in vestigial form — in some ancient Greek texts. Unfortunately, these reports are slight, often by detractors of this approach, and offer only clues as to the motivational context for employing these mechanical conceptions. Here, my purpose is to suggest what role they might have played in the history of natural philosophy. (shrink)

Aristotle’s Parva naturalia continues the investigation begun in the De anima. The De anima defines the soul and treats its main powers, nutrition, sense perception, intellection, and locomotion. The Parva naturalia — On sense and sensible objects, On memory and recollection, On sleep, On dreams, On divination in sleep, On motion of animals (De motu animalium ), On length and shortness of life, and On youth and old age and respiration — attends more to bodily involvement with soul. While each (...) work offers fascinating and challenging insights, there has never been as extensive a commentary covering them together. A reason is that the works have often been viewed as incidental and even inconsistent. The De motu animalium has not typically been included, when viewed as an isolated work on animal locomotion. This commentary argues that the treatises, considered together and with the De motu among them, display a tight sequence manifesting an artful, yet easily overlooked, design. We reveal many techniques of Aristotle’s writing that have received little consideration previously. Our commentary contributes to a unified and comprehensive account of Aristotle’s overall project regarding the soul and its connections with the body. (shrink)

Proposes an innovative rethinking of Aristotle’s work as a system that integrates his theology with his doctrine of reproduction and life. In this deep rethinking of Aristotle’s work, Abraham P. Bos argues that scholarship on Aristotle’s philosophy has erred since antiquity in denying the connection between his theology and his doctrine of reproduction and life in the earthly sphere. Beginning with an analysis of God’s role in the Aristotelian system, Bos explores how this relates to other elements of his philosophy, (...) especially to his theory of reproduction. The argument he develops is that in talking about the cosmos, Aristotle rejected Plato’s metaphor of artisanal production by a divine Demiurge in favor of a biotic metaphor based on the transmission of life in reproduction, in which pneuma—not breath as it is often interpreted but the life-bearing spirit in animals and plants—plays a key and sustaining role as the vital principle in all that lives. In making this case, he defends the authenticity of the treatises De Mundo and De Spiritu as Aristotle’s, and demonstrates Aristotle’s works as a unified system that sharply and comprehensively refutes Plato’s, and in particular replaces Plato’s doctrine of the soul with a theory in which the soul is clearly distinguished from the intellect. “Bos offers a fresh, interesting, and important perspective. His interpretation will be very controversial, but if he is right, the standard Anglo-American interpretation of Aristotle will have to change radically.” — Malcolm Wilson, author of Structure and Method in Aristotle’s Meteorologica: A More Disorderly Nature. (shrink)

This article addresses some crucial assumptions that are rarely acknowledged when organisms and machines are compared. We begin by presenting a short historical reconstruction of the concept of “machine.” We show that there has never been a unique and widely accepted definition of “machine” and that the extant definitions are based on specific technologies. Then we argue that, despite the concept's ambiguity, we can still defend a more robust, specific, and useful notion of machine analogy that accounts for successful strategies (...) in connecting specific devices (or mechanisms) with particular living phenomena. For that purpose, we distinguish between what we call “generic identity” and proper “machine analogy.” We suggest that “generic identity”—which, roughly stated, presumes that some sort of vague similarity might exist between organisms and machines—is a source of the confusion haunting many persistent disagreements and that, accordingly, it should be dismissed. Instead, we endorse a particular form of “machine analogy” where the relation between organic phenomena and mechanical devices is not generic but specific and grounded on the identification of shared “invariants.” We propose that the machine analogy is a kind of analogy as proportion and we elucidate how this is used or might be used in scientific practices. We finally argue that while organisms are not machines in a generic sense, they might share many robust “invariants,” which justify the scientists' use of machine analogies for grasping living phenomena. (shrink)

Aristotle has traditionally been cast as the arch-enemy of all things mechanistic. Given the dichotomy long thought to exist between mechanistic and teleological schools of thought, there is a satisfying irony in discovering veins of apparently ‘mechanistic’ thought within the work of the definitive teleologist. Several waves of scholarship in the past century have argued, from different angles, for mechanistic interpretations of Aristotle’s natural philosophy. The present generation is no exception: in the last decade, Jean De Groot, Monte Johnson, and (...) Tiberiu Popa have variously argued that a mechanistic vein can be found in Aristotle’s work, despite his undeniable teleological credentials. This paper explores the assumptions—some of them open to question—that accompany such advocacy. It will urge some terminological refinements, and turn a skeptical lens on some aspects of these projects. Nonetheless, it will stress that they open promising lines of inquiry, avoiding some of the limitations of earlier ventures into this territory. (shrink)

The short treatise known as Περὶ κόσμου is a learned piece of protreptic addressed to Alexander, ‘the best of princes’, usually identified with Alexander the Great. The treatise is traditionally attributed to Aristotle, and although it does espouse recognizably Aristotelian views, it contains various doctrinal and linguistic elements which have led the large majority of scholars to regard it as inauthentic. The dating of the treatise is a more controversial matter, though most scholars would put it somewhere in the Hellenistic (...) period. (shrink)

An oft-cited truism about the emergence of a new, ‘mechanistic’ approach to natural philosophy in the seventeenth century is that it was inspired by analogy to the workings of clockwork. In Authori...

This paper aims at tracking down, by looking at late medieval and early modern discussions over the ontological status of artifacts, the main steps of the process through which nature became theorized on a mechanistic model in the early 17th century. The adopted methodology consists in examining how inventions such as mechanical clocks and automata forced philosophers to modify traditional criteria based on an intrinsic principle of motion and rest for defining natural beings. The paper studies different strategies designed in (...) the transitional period 1300–1600 for making these inventions compatible with classical definitions of nature and artifacts. In the first part of the paper, it is shown that, even if virtually all medieval philosophers acknowledged an ontological distinction between artifacts and natural beings, these different strategies demonstrate a growing concern about the consistency of the art/nature distinction. The next part of the paper studies how mechanical clocks, even before the Scientific Revolution, served as theoretical models for applying mechanistic views to different objects (be they cosmological, physical or biological). The epistemological function of clocks appears to stem from different factors (like the specific manufacturing of late medieval clocks as well as the evolution of 16th-century mechanics) that are listed in this second part of the paper. These factors, combined with the definitional issues raised by automata, explain that clocks became the symbol of a new approach to natural philosophy, characterized by the collapse of the art/nature distinction and the “mechanization of nature”. (shrink)