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Authenticity and Experience

Discourse Studies 3 (4):405-411 (2001)

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  1. Mock intimacy: strategies of engagement in Israeli gossip columns.Esther Schely-Newman - 2004 - Discourse Studies 6 (4):471-488.
    Information about celebrities is abundant in media, including bits of information about marginal events that appear in gossip columns; a media genre not sufficiently studied. This article analyzes Israeli national gossip columns in an attempt to identify stylistic and linguistic ways columnists frame information as confidential and personal. It is argued that the use of discursive strategies creates an illusion of intimacy between the reader and the column, inviting readers to participate in a deciphering game. Columnists engage readers by creative (...)
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  • A new authenticity? Communicative practices on YouTube.Andrew Tolson - 2010 - Critical Discourse Studies 7 (4):277-289.
    Recent discussion of some user-generated material on the Internet has argued that its ‘freshness’ and ‘spontaneity’ offers a new form of ‘authenticity’ in mediated communication. With a focus on YouTube, particularly where extensive use is made of the facility to post text comments on vlogs, it has been suggested that such activities reproduce the feel of ‘face-to-face communication’. Interestingly such accounts echo previous debates about broadcast talk, although YouTube is defined as a species of ‘post-television’. This article assesses these claims (...)
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  • ‘My Holocaust experience was great!’: Entitlements for participation in museum media.Chaim Noy - 2016 - Discourse and Communication 10 (3):274-290.
    This interdisciplinary study brings together research on audiences’ participation in the media, and an up-close exploration of communicative entitlement of and for such participation. Viewing visitor books as situated, public media, the study asks two related questions: how museums and institutions that employ this medium frame participation of ‘ordinary’ people in the public sphere, and how, in return, visitors variously articulate their participation. The article first examines the context in which visitor books mediate participation, and how museums frame them so (...)
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