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  1. Schelling and the Background of American Pragmatism:. [REVIEW]H. G. Callaway - 1996 - Arisbe, Peirce-Related Papers 1:1-12.
    The short cover-description of the present book tells that "Friedrich Wilhelm Joseph Schelling (1775-1854) was one of the formative philosophers of German idealism, whose great service was in the areas of the philosophy of nature, art, and religion." Those having some familiarity with Schelling, and his influence on American philosophy, indirectly via Coleridge and Carlyle and more directly via Emerson and C. S. Peirce, will perhaps not be surprised to learn that German idealism itself looks somewhat different, understanding Schelling's differences (...)
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  • Ästhetische Grundbegriffe: Studien zu einem historischen Wörterbuch.Karlheinz Barck, Martin Fontius & Wolfgang Thierse (eds.) - 1990 - Berlin: Akademie Verlag.
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  • Contemporary Meaning of European Landscape.Raffaele Milani - 2012 - Diogenes 59 (1-2):73-83.
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  • Adorno and Schelling on the art–nature relation.Camilla Flodin - 2018 - British Journal for the History of Philosophy 26 (1):176-196.
    When it comes to the relationship between art and nature, research on Adorno’s aesthetics usually centres on his discussion of Kant and Hegel. While this reflects Adorno’s own position – his comprehension of this relationship is to a large extent developed through a critical re-reading of both the Kantian and the Hegelian position – I argue that we are able to gain important insights into Adorno’s aesthetics and the central art–nature relation by reading his ideas in the light of Schelling’s (...)
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  • Introduction.Karl Axelsson, Camilla Flodin & Mattias Pirholt - 2020 - In Karl Axelsson, Camilla Flodin & Mattias Pirholt (eds.), Beyond Autonomy in Eighteenth-Century British and German Aesthetics. New York: Routledge.
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