First published in 2010, Cornelia Vismann’s article has already attained the status of a classic. In a formulation inspired by linguistic theory, the author argues that the relation between cultural techniques and media can be understood in analogy to grammatical operations. Thus, cultural techniques define the agency of media and execute the procedural rules which the latter set in place. Together, they articulate a critique of subjectivity and sovereignty that proceeds by re-examining the notion of ‘culture’ via its agricultural origins (...) to the current moment when the ‘preservation of cultural techniques’ has entered legal and academic discourse. Ultimately, despite their apparent separation from praxis, cultural techniques continue to proliferate through axes of substitution and displacement. (shrink)

It is usually said that there is a clear difference between pre-philosophical texts such as Homer’s Iliad and what is provided in the fragments corresponding to first philosophers such as Thales of Miletus. This paper tries to show that this is not undoubtedly so, and it does that by means of the analysis of a fragment of the Iliad in which Hypnos is speaking. In this way, the main argument is that, while the fragment can be interpreted both in a (...) literal and in a metaphorical or poetic sense, in both of those cases it can be thought that it is related to philosophy or rational thinking. If the interpretation is literal, the fragment expresses an idea very akin to an important thesis by Thales of Miletus. On the other hand, if the interpretation is metaphorical or poetic, we have to assume, following several contemporary reasoning theories, that the fragment is essentially based on an evident rational inference. (shrink)

Este artículo examina cómo la tragedia griega, especialmente Antígona de Sófocles recupera y amplia el mito. En efecto, el mito encuentra en la tragedia un despliegue tal que en muchas ocasiones llega a competir con el canon mítico. Es también nuestra intención analizar de qué modo opera el mito en la dinámica dramática; esto es, en qué medida le es funcional a la representación trágica. This article examines how the Greek tragedy, especially Sophocles' Antigone recuperates and expands the myth. Indeed, (...) the tragedy displays the myth in a way that it can compete with the mythic canon in many occasions. It is also our intention to examine how the myth operates in the dramatic dynamics, that is, to what extent it is functional to the tragic representation. (shrink)