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  1. Fragments of Autobiography in Horace Satires I.Emily Gowers - 2003 - Classical Antiquity 22 (1):55-91.
    Horace's first book of Satires is his poetic debut, and has traditionally been read as a reliable account of the poet's coming of age and arrival in society. Recently, scholars have taken a more skeptical view of the authenticity of this account and have argued that Horace's self-portrait is generically determined, with the author invisible behind a composite of comic stereotypes. Nonetheless, this collection of casual and scattered fragments can, according to a less literal and more flexible definition of autobiography, (...)
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  • Est locus uni cuique suus: City and Status in Horace's Satires 1.8 and 1.9.Tara S. Welch - 2001 - Classical Antiquity 20 (1):165-192.
    Horace's Satires 1.8 and 1.9 have long interested commentators for the enticing glimpse they provide of the changing Roman cityscape in the 30s BCE In light of the recent problematization of the strict correspondence between the poet Horace and his elaborately constructed satiric persona, locations in the Satires should be read not so much as autobiographical accounts of the poet's movement through the city but rather as functions of other themes and motifs in the Satires. This paper examines the moral (...)
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  • Each Man's Father Served as his Teacher: Constructing Relatedness in Pliny's Letters: In loving memory of Harry Bernstein. [REVIEW]Neil W. Bernstein - 2008 - Classical Antiquity 27 (2):203-230.
    Recent scholarship has examined Pliny's efforts to embed his acts of patronage in the rhetorical context of paternity. This paper examines how Pliny employs the discourse of paternity in representing himself as a mentor and exemplary model for young men, with particular focus on Book 8 of the Letters. Though he lacks a child or adoptive heir himself, Pliny embeds his work in a tradition in which Roman writers from the Elder Cato onward presented literary authority as coextensive with paternal (...)
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