Kant wants to show that freedom is possible in the face of natural necessity. Transcendental idealism is his solution, which locates freedom outside of nature. I accept that this makes freedom possible, but object that it precludes the recognition of other rational agents. In making this case, I trace some of the history of Kant’s thoughts on freedom. In several of his earlier works, he argues that we are aware of our own activity. He later abandons this approach, as he (...) worries that any awareness of our activity involves access to the noumenal, and thereby conflicts with the epistemic limits of transcendental idealism. In its place, from the second Critique onwards, Kant argues that we are conscious of the moral law, which tells me that I ought to do something, thus revealing that I can. This is the only proof of freedom consistent with transcendental idealism, but I argue that such an exclusively first-personal approach precludes the recognition of other rational agents. I conclu.. (shrink)

O presente artigo reflete sobre os argumentos propostos por Charles Sanders Peirce em sua conhecida VII Conferência de Cambridge, proferida em 1898, sob o título “Hábito”, na qual justifica a sua posição acerca de como seria possível explicar a origem do universo através de uma filosofia de caráter genético. Essa explicação toma, no interior de seu complexo sistema arquitetônico de pensamento, a tendência à aquisição de hábitos como o princípio explicativo fulcral sobre a origem e a evolução das Leis da (...) Natureza. Peirce adota tal princípio como aquele que sustentaria uma afinidade entre mente e matéria. (shrink)

To achieve the common origin of "I" and nature, Schelling takes a new approach to the philosophy of nature; demonstrating the falsity of dualism between "I" and nature and showing how nature cannot be reduced to a mechanistic series of causes and effects. By integrating Leibniz's principle of inner purposiveness, Spinoza's monism, and the Kantian concept of teleology, he interprets an organic idea of nature as a totality and founds "I" on the ground of this organic nature. Schelling turns to (...) Leibniz's vitalistic philosophy for presents a self-organizing scheme of nature, and he uses the intensive doctrine of substance to overcome the dualism of modern philosophy. In this view, the parts are to be deduced, in a purely analytic way from the whole, and each unit must include an infinite plurality, so the difference between subject and object is in degree, not in type; Nature is all alive, and no real object is entirely inorganic but is only in a lower degree of organic. In Schilling's point of view, the highest degree of organization of the infinite is the creativity of the artist, who is the culmination of all the organic forces of nature. The main question of this essay is about the fundamental role of Schelling's organic interpretation in his aesthetic essence. in this regard, while the impact of Leibniz's vitalistic approach is analyzed, the reinforcement of the activity of "I" in Schilling's system of thought is examined. (shrink)

Many contemporary scholars argue that Schelling’s version of intellectual intuition retains certain central features of the Kantian and Fichtean conceptions. One of the common claims is that, as with Kant and Fichte, Schelling’s intellectual intuition is the power of the subject’s productive understanding. However, we show that for the Schelling of the Identitätsphilosophie period, intellectual intuition is the power not of an understanding that intuits, or a productive intellect, but of a receptive and penetrating sensibility that understands.

Although it is clear in Schelling's Freiheitsschrift that he takes an agent's atemporal choice between good and evil to be central to understanding human freedom, there is no consensus in the literature and no adequate account of how to understand this choice. Further, the literature fails to render intelligible how existential freedom is possible in the light of this atemporal choice. I demonstrate that, despite their differences, the dominant accounts in the literature are all guilty of these failings and argue (...) that this is due to their misunderstanding of Schelling's conception of the relationship between essence and form. After outlining what I take Schelling's account of this relationship to be, I return to the Freiheitsschrift to demonstrate that with this account in mind we can make intelligible Schelling's claims about the agent's atemporal act, and the possibility of existential freedom on his account. (shrink)

How is moral thinking, ethics, related to evolutionary theorizing? There are two approaches, epitomized by Charles Darwin who works under the metaphor of the world as a machine, and by Herbert Spencer who works under the metaphor of the world as an organism. Although the author prefers the first approach, the aim of this paper is to give a disinterested account of both approaches.

McTaggart takes love seriously. He rejects rival accounts that look to reduce love to pleasure, moral approbation or a fitting response to someone’s qualities. In addition, he thinks that love reveals something about the structure of the universe, and that in absolute reality, we could all love each other. In this paper, I follow McTaggart in his rejection of rival accounts of love, but distance myself from his own account of love in absolute reality. I argue that in claiming that (...) we could all love each other, he fails to adequately account for an important part of the phenomena of love, namely chemistry. (shrink)

Philosophers and artists consider the relevance of Maurice Merleau-Ponty’s philosophy for understanding art and aesthetic experience. This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty. Although Merleau-Ponty focused almost exclusively on painting in his writings on aesthetics, this collection also considers poetry, literary works, theater, and relationships between art and science. In addition to philosophers, the contributors include a painter, a photographer, a musicologist, and an architect. This widened (...) scope offers important philosophical benefits, testing and providing evidence for the empirical applicability of Merleau-Ponty’s aesthetic writings. The central argument is that for Merleau-Ponty the account of perception is also an account of art and vice versa. In the philosopher’s writings, art and perception thus intertwine necessarily rather than contingently such that they can only be distinguished by abstraction. As a result, his account of perception and his account of art are organic, interdependent, and dynamic. The contributors examine various aspects of this intertwining across different artistic media, each ingeniously revealing an original perspective on this intertwining. (shrink)

My aim in this paper is to defend the claim that the absolute idealism of Hegel is a liberal naturalist position against Sebastian Gardner’s claim that it is not genuinely naturalistic, and also to defend the position of ‘liberal naturalism’ from Ram Neta’s charge that there is no logical space for it to occupy. By ‘liberal naturalism’, I mean a doctrine which is a non-reductive form of philosophical naturalism. Like Fred Beiser, I take the thesis of liberal naturalism to find (...) support in the idealism of Hegel. I begin by first explaining what philosophical naturalism amounts to. I then move on to show, using Finn Spicer’s and Alison Stone’s understandings of philosophical naturalism, how there is a stronger form of philosophical naturalism but also how there is a weaker form as well. Having established the distinction between stronger and weaker variants of philosophical naturalism, I discuss Sebastian Gardner’s recent objections to treating absolute idealism as a genuinely naturalist position. I argue that Gardner is incorrect to claim that absolute idealism is not a genuinely naturalist position on both historical and interpretive grounds, where to do so I bring in features of Hegel’s idealism to show that Hegel was committed to liberal naturalism. In the next section of the paper, I address Ram Neta’s charge that there is no logical space for liberal naturalism. To counter this claim, I offer an Hegelian diagnosis of Neta’s charge and argue that Neta’s concern about the possibility of liberal naturalism is illegitimately motivated. (shrink)

The first part of this essay provides an analysis of the text “The Law of Mind”, in which Peirce theorizes about the power of growth and spreading of ideas and also presents his response to the classic question about how mind can influence matter. We intended to show, from an analysis focused on the dual semantic meaning of the word “ affect ”, how the author’s rupture with the Cartesian dualism between mind and matter implies in a substantial identity between (...) ideality and reality by means of a metaphysical merging of realism and idealism, where matter is taken to be only a special case of mind . The second part shows how the forms of evolutionism are drawn from the three categories, highlighting the agapism, the doctrine of cosmic and creative love. Finally, we shall argue on how the association between realism and idealism, as well as the considerations of the author’s evolutionism, constitute vital aspects for the justification of the historical success of our human capacity for conjecturing, viz., for proposing successful hypothesis to explain the facts. (shrink)

This paper traces Schelling’s discussions of individuation from the 1799 Erster Entwurf eines Systems der Naturphilosophie to the 1802 dialogue, Bruno. It argues that the Erster Entwurf is unable to solve what Schelling there calls “the highest problem of the philosophy of nature,” because nature as pure productivity necessarily tends to annihilate all individuality. It is only in 1801 and 1802, the years that mark Schelling’s construction of an Identitätssystem, that a solution emerges. This solution is based on the rejection (...) of one of the defining orthodoxies of German Idealism, Spinoza’s dictum that omnis determinatio est negatio, and on the subsequent theorization of a form of infinite finitude. Consideration of Schelling’s changing attitude to the problem of individuation is intended as a case study of the more general shift from Naturphilosophie to Identitätssystem. (shrink)

In this article, I argue that in his 1838 De l'habitude, Félix Ravaisson uses the analysis of habit to defend a Leibnizian monadism. Recent commentators have failed to appreciate this because they read Ravaisson as a typically post-Kantian philosopher, and underemphasize the distinct context in which he developed his work. I explore three key claims made by interpreters who argue that Ravaisson should be read as a Schellingian, and show [i] that these claims are incompatible with the text of De (...) l'habitude and [ii] how they have obscured from view the monadism at the heart of this work. This article is divided into two sections. First, I explain the importance of Victor Cousin and Maine de Biran for the development of nineteenth-century French philosophy. Second, I argue that to understand the structure of De l'habitude, it should be read as a critique of Cousin's philosophical method and a demonstration of the superiority of Biran's Leibniz-inspired introspective method. Like Biran, Ravaisson believes tha.. (shrink)

The chief aim of this thesis is mobilizing parts of the work of Wilfrid Sellars in order to reconsider the notion of medium in relation to the ones of language and thought and, per extension, conception and mind. Indeed, the account of the notion of medium is constructed as a generalization of the case of language, as described in its rapport with thought, in Sellarsian philosophy. The thesis tries to position the medium as a pivot point of articulation between epistemology (...) and ontology, mostly by using as a blue-print the Sellarsian articulation of the two through the Manifest and Scientific Images. We consider Sellars’ project of accounting for the normative character of language independently from conception, with his dismissal of the instrumentalist-dualist reading of the relation between language and thought as well as the purely materialist reading of the same. We then introduce the notion of thought as inner mental episodes with a treatment of the methods of postulation and observation. This finally leads us to zeroing in on the notion of medium qua an extension of the notion of language as presented up to this point, taking move from the thesis that Johanna Seibt draws out of Sellars’ work that language is the medium of conception rather than its expression. Finally, we articulate three chief characteristics of the notion of medium: synthetic function, actuality and observational capacity, each referring to terminology introduced in the course of the thesis. In the process of introducing the three features, we also face three preoccupations underlying the research from the beginning: the question of translatability or specificity of a medium, the problem of communication and the notion of empirical truth. Especially this latter point will lead us to the sketching of a natural-history of mediums based on the notion of medium-series. (shrink)