The present study pursues three objectives. First, to expose and discuss the contributions of the philosopher José Ortega y Gasset to the phenomenological study of gestures and emotive gesture. Secondly, to critically review one of the central theses defended by Ortega, according to which “every expressive phenomenon”—including, therefore, the emotive gesture—involves “a transposition, that is to say, an essential metaphor.” This thesis invites us, in the third objective, to establish a dialogue between phenomenology and cognitive linguistics (as developed by Lakoff, (...) Langacker and Talmy), assuming an experientialist position vis‐à‐vis human reason and language, in opposition to the objectivist and formalist position of Chomsky's generative linguistics. In this interdisciplinary context, we will study the phenomenon of emotive gesture, in particular the expression of the emotion of anger, as analyzed phenomenologically by Ortega y Gasset. (shrink)

Douglas Harding developed a unique first-person experimental approach for investigating consciousness that is still relatively unknown in academia. In this paper, I present a critical dialogue between Harding, Sartre and Merleau-Ponty on the phenomenology of the body and intersubjectivity. Like Sartre and Merleau-Ponty, Harding observes that from the first-person perspective, I cannot see my own head. He points out that visually speaking nothing gets in the way of others. I am radically open to others and the world. Neither does my (...) somatic experience establish a boundary between me and the world. Rather to experience these sensations as part of a bounded, shaped thing (a body), already involves bringing in the perspectives of others. The reader is guided through a series of Harding’s first-person experiments to test these phenomenological claims for themselves. For Sartre, the other’s subjectivity is known through The Look, which makes me into a mere object for them. Merleau-Ponty criticised Sartre for making intersubjective relations primarily ones of conflict. Rather he held that the intentionality of my body is primordially interconnected with that of others’ bodies. We are already situated in a shared social world. For Harding, like Sartre, my consciousness is a form of nothingness; however, in contrast to Sartre, it does not negate the world, but is absolutely united with it. Confrontation is a delusion that comes from imagining that I am behind a face. Rather in lived personal relationships, I become the other. I conclude by arguing that for Harding all self-awareness is a form of other-awareness, and vice versa. (shrink)

This paper presents dialectical relation between conditions of objectivity and its foundational components in philosophy of Husserl. Above distinction results from grounds and locations of objectivity in Husserl. This dialectical relation that leads to reduction of conditions and components together, and without considering them the verification of objectivity of knowledge and its objects is impossible, required the flexible essence of transcendental consciousness. For displaying the dialectical relation the review of transcendental consciousness is necessary. The essence of consciousness is the intentionality (...) of it. The other properties of consciousness results from the intentionality. Conditions of objectivity are related to the noetic pole of consciousness and components of objectivity to the noematic pole of it. (shrink)

In this paper, we provide an overview of the main stages in the development of Edmund Husserl’s conception of metaphysics, highlighting its most significant characteristics. We propose that Husserl’s views on metaphysics traversed three main stages: (1) from the early 1890s until his so-called “transcendental turn” around 1906/07; (2) from his transcendental turn until the late 1920s, and (3) the metaphysical conceptualization during the 1930s, aptly characterized as—following the interpretation of László Tengelyi—a “metaphysics of primal facts” (Urfakta, Urtatsache). We further (...) demonstrate that Husserl’s considerations concerning metaphysics—throughout his entire opus—span three essential levels: (1) the epistemological level, in particular, phenomenological preparations to establish a foundation for metaphysics; (2) a level concerning metaphysics as the universal and ultimate science of reality, and (3) a level addressing metaphysics as a proper field of phenomenological investigations into the highest and ultimate questions (such as God and immortality). We argue in detail that Husserl attempted to render this field—which radically transcends the domain of possible intuitions (Anschauungen) and direct experience—accessible to a legitimate phenomenological treatment via the method of phenomenological constructions, prior to the efforts of Eugen Fink. (shrink)

Our species of hominin, Homo sapiens, is an extremely social animal. We are born with social brains. The phenomenology of Edmund Husserl is a methodological approach to social consciousness that offers significant advantages in terms of uncovering and describing the essential structures of our social perceptions and actions. This is especially true in this period of post-neuro-turn social science, because the structures described by Husserlian “pure” phenomenology with its emphasis upon “returning to the things,” performing reductions, and developing the skills (...) available to the phenomenological attitude are in synch with neuroscientific research on the neural correlates of consciousness. For the anthropology of consciousness, the Husserlian methodology allows us to explore consciousness in cross-cultural settings in greater detail and depth of understanding. This is especially the case with respect to the experience of intersubjectivity, the roots of which are found to be part of the inherent life-world that all normal humans depend upon to true their experiences of the environing world, regardless of cultural background. The Husserlian approach to intersubjectivity challenges the discipline of anthropology to move past its knee-jerk distinction between nature and nurture, and its erroneous assumption that human experience is somehow “culture all the way down.”. (shrink)