Switch to: References

Add citations

You must login to add citations.
  1. A Schutzian Analysis of Prayer with Perspectives from Linguistic Philosophy.K. Hoshikawa & M. Staudigl - 2017 - Human Studies 40 (4):543-563.
    In this paper, we propose to analyze the phenomenon of Christian prayer by way of combining two different analytical frameworks. We start by applying Schutz’s theories of “intersubjectivity,” “inner time,” “politheticality,” and “multiple realities,” and then proceed by drawing on the ideas and insights of linguistic philosophers, notably, Wittgenstein’s “language-game,” Austin’s “speech act,” and Evans’s “logic of self-involvement”. In conjoining these accounts, we wish to demonstrate how their combination sheds new light on understanding the phenomenon of prayer. Prayer is a (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  • Biology and Culture in Musical Emotions.Kathleen M. Higgins - 2012 - Emotion Review 4 (3):273-282.
    In this article I show that although biological and neuropsychological factors enable and constrain the construction of music, culture is implicated on every level at which we can indicate an emotion-music connection. Nevertheless, music encourages an affective sense of human affiliation and security, facilitating feelings of transcultural solidarity.
    Download  
     
    Export citation  
     
    Bookmark   4 citations  
  • Commentary: A Neurodynamic Perspective on Musical Enjoyment: The Role of Emotional Granularity.Charlotte L. Doyle - 2018 - Frontiers in Psychology 9.
    Download  
     
    Export citation  
     
    Bookmark  
  • On Musical Performance as Play.Gabor Csepregi - 2013 - Nordic Journal of Aesthetics 23 (46).
    The purpose of this article is to complete, and build on, the theories of a certain number of scholars, chiefly philosophers of previous generations, and a few eminent performers of classical music who all bring to the fore the essential link between music and play. Because of their impulse value and appealing character, tones and other elements of the performance could generate a playful attitude in the musicians. Play is understood as a reciprocal interaction with something that plays with the (...)
    Download  
     
    Export citation  
     
    Bookmark  
  • What’s the Right Price for Babysitting? A Case Study in Ethno-Accounting.Alain Cottereau - 2015 - Human Studies 38 (1):97-112.
    Through a case study, this paper contributes to answer the call to inquiries set by John Dewey in the conclusion of his Theory of Valuation. To move on to ethnography, some requirements explained by Alfred Schutz have also been followed: the study of choices, transactions, and evaluations must be confronted with real situations in real temporality, not with puppets set in motion by social scientists. The present case study is based upon a thorough ethnography of evaluation in a Spanish Moroccan (...)
    Download  
     
    Export citation  
     
    Bookmark  
  • Types, Styles, and Spaces of Possibility : Phenomenology and Musical Improvisation.Mitchell Atkinson - 2020 - Gestalt Theory 42 (3):253-270.
    Summary I outline an approach to the phenomenology of improvised music which takes typification and the development of multi‐ordered phenomenological structures as central. My approach here is firmly in line with classical Husserlian phenomenology, taking the discussion of types in Experience and Judgment (Husserl, 1973) and Brudzińska (2015) as guide. I provide a phenomenological analysis of musical types as they are found in improvisational contexts, focusing on jazz in the 20th century. Styles are higher‐order musical types. Musical types are structures (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation