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  1. Experimental Ontology of Music.Elzė Sigutė Mikalonytė - manuscript
    This chapter focuses on the methodological challenges and practical implications of the experimental ontology of music. It offers an overview of the existing research, primarily focusing on how people judge whether two musical performances are of one and the same or two distinct musical works, followed by a discussion of the current methodological debates in this field and, finally, an exploration of its potential legal implications.
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  • (1 other version)Super Linguistics: an introduction.Pritty Patel-Grosz, Salvador Mascarenhas, Emmanuel Chemla & Philippe Schlenker - 2023 - Linguistics and Philosophy Super Linguistics Special Issue.
    We argue that formal linguistic theory, properly extended, can provide a unifying framework for diverse phenomena beyond traditional linguistic objects. We display applications to pictorial meanings, visual narratives, music, dance, animal communication, and, more abstractly, to logical and non-logical concepts in the ‘language of thought’ and reasoning. In many of these cases, a careful analysis reveals that classic linguistic notions are pervasive across these domains, such as for instance the constituency (or grouping) core principle of syntax, the use of logical (...)
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  • Reps and representations: a warm-up to a grammar of lifting.Maria Esipova - 2023 - Linguistics and Philosophy 46 (4):871-904.
    In this paper, I outline a grammar of lifting (i.e., resistance training) and compare it to that of language. I approach lifting as a system of generating complex meaning–form correspondences from regularized elements and describe the levels of mental representations and relationships between them that are involved in full command of this system. To be able to do so, I adopt a goal-based conception of meaning, which allows us to talk about mappings from complex goals to complex surface outputs in (...)
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  • (1 other version)Super Linguistics: an introduction.Pritty Patel-Grosz, Salvador Mascarenhas, Emmanuel Chemla & Philippe Schlenker - 2023 - Linguistics and Philosophy 46 (4):627-692.
    We argue that formal linguistic theory, properly extended, can provide a unifying framework for diverse phenomena beyond traditional linguistic objects. We display applications to pictorial meanings, visual narratives, music, dance, animal communication, and, more abstractly, to logical and non-logical concepts in the ‘language of thought’ and reasoning. In many of these cases, a careful analysis reveals that classic linguistic notions are pervasive across these domains, such as for instance the constituency (or grouping) core principle of syntax, the use of logical (...)
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  • Experimental Philosophy of Art and Aesthetics.Elzė Sigutė Mikalonytė, Ryan Doran & Shen-yi Liao - 2024 - Stanford Encyclopedia of Philosophy.
    Experimental philosophy of art and aesthetics is the application of the methods of experimental philosophy to questions about art and aesthetics. By taking a scientific approach to experiences with art and aesthetic phenomena, it is continuous with the longstanding research program in psychology called empirical aesthetics. However, it is also continuous with traditional research in philosophy of art and aesthetics because it is centered on many of the same timeless questions. Like other branches of experimental philosophy, such as experimental moral (...)
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  • Steps towards a semantics of dance.Pritty Patel Grosz, Patrick Georg Grosz, Tejaswinee Kelkar & Alexander Refsum Jensenius - 2022 - Journal of Semantics 39 (4).
    As formal theoretical linguistic methodology has matured, recent years have seen the advent of applying it to objects of study that transcend language, e.g., to the syntax and semantics of music (Lerdahl & Jackendoff 1983, Schlenker 2017a; see also Rebuschat et al. 2011). One of the aims of such extensions is to shed new light on how meaning is construed in a range of communicative systems. In this paper, we approach this goal by looking at narrative dance in the form (...)
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