Catherine of Siena was a twin whose twin sister, Giovanna, died around the age of two. It is argued that a conflict relating to her lasting relationship with her dead twin is the key to a psychological understanding of the mysticism of Catherine of Siena. She was torn between her survivor-guilt and her desire to be re-united with her lost twin. This 'Vergotean' thesis is supported by contemporary psychological knowledge relating to the social construction of twinship and the impact of (...) the death of a twin on the surviving twin. This conflict was played out in her relationship to Jesus within the social context of her becoming an important religious and political leader of a 'family' of followers, including her biographer, the Dominican, Raymond of Capua. (shrink)

This paper discusses prominent examples of what we call “algorithmic anxiety” in artworks engaging with algorithms. In particular, we consider the ways in which artists such as Zach Blas, Adam Harvey and Sterling Crispin design artworks to consider and critique the algorithmic normativities that materialize in facial recognition technologies. Many of the artworks we consider center on the face, and use either camouflage technology or forms of masking to counter the surveillance effects of recognition technologies. Analyzing their works, we argue (...) they on the one hand reiterate and reify a modernist conception of the self when they conjure and imagination of Big Brother surveillance. Yet on the other hand, their emphasis on masks and on camouflage also moves beyond such more conventional critiques of algorithmic normativities, and invites reflection on ways of relating to technology beyond the affirmation of the liberal, privacy-obsessed self. In this way, and in particular by foregrounding the relational modalities of the mask and of camouflage, we argue academic observers of algorithmic recognition technologies can find inspiration in artistic algorithmic imaginaries. (shrink)