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  1. Art as a metaphor of the mind: A neo-Jamesian aesthetics embracing phenomenology, neuroscience, and evolution.Andrea Lavazza - 2008 - Phenomenology and the Cognitive Sciences 8 (2):159-182.
    This paper focuses on the emergent neo-Jamesian perspective concerning the phenomenology of art and aesthetic experience. Starting from the distinction between nucleus and fringe in the stream of thought described by William James, it can be argued that our appreciation of a work of art is guided by a vague and blurred perception of a much more powerful content, of which we are not fully aware. Accordingly, a work of art is seen as a kind of metaphor of our mental (...)
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  • Locke's equivocal category of substance.David Https://Orcidorg Wörner - 2020 - European Journal of Philosophy 28 (4):1044-1057.
    John Locke famously claimed that our idea of substance is but a confused idea of “something we know not what.” However, he also thought that the idea of substance is a fundamental part of our ideas of ourselves and the objects surrounding us—of objects we do know. Interpreting this apparently ambivalent stance has long been a major challenge for Locke scholarship. In this article, I argue that the leading interpretations of Locke's conception of substance have failed to resolve this tension (...)
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  • 18th century French aesthetics.Jacques Morizot - 2008 - Stanford Encyclopedia of Philosophy.
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