In recent decades, an increasing interest in the dynamics of collections has brought to view how objects circulate as parts of networks of knowledge and how collections can acquire new meanings. Introducing this special issue on Collections, Knowledge, and Time, we want to shift focus from geographical circulation towards the temporal dynamics of collections: the layering and interweaving of asynchronous temporalities as collections are preserved, frozen, reinterpreted, sampled, and destroyed over time, and how these temporalities constitute knowledge potentials. We treat (...) collections broadly across museums of history of medicine, history of science, and ethnography, and scientific institutions including biobanks, seed banks, and fly centres, to investigate the considerable overlap in collection practices, as well as how objects can move between cultural historical and scientific uses. We limit ourselves, however, to epistemic collections, mainly scientific ones, assembled with research as a main purpose. This introduction first explores apparently mundane collection practices such as preservation and care, as well as technologies such as freezers and boxes, to unravel them as temporal practices that make stored items transcend time. We then discuss historical practices across cultural and scientific collections to show how historical thinking plays a central part in scientific collection work and how new scientific methods shape investigations of the past. Finally, we outline the potentialities for future knowledge in collections. In conclusion, we sketch out a pluralist epistemology of collections focusing specifically on how the dynamics of time create multiple epistemic potentials for historical scholarship and scientific research in the present and future. (shrink)

En una de sus lecciones en Friburgo, hacia fines de 1951, Martin Heidegger pronunció una frase llamada a ser fuente de controversias y de exégesis inacabables: «La ciencia no piensa». La lección en la que aparece su frase provocadora se publicaría luego en su libro _¿Qué significa pensar?_, en 1954. En este trabajo analizamos las interpretaciones de esta frase, discutimos su dimensión política, y repensamos su significado en relación a su circularidad, i.e. a su carácter de dispositivo definitorio.

Rhythm is generally taken to refer to a temporal pattern of events. Yet in recent years, across diverse fields in the arts, humanities, and social sciences, it has come to serve as the conceptual marker for a wide range of new approaches to understanding relations and relationality, following most explicitly from the late work of Henri Lefebvre. This article explores the temporal aspect of such relational thinking, in particular asking how time is implicated in relations, and how it can be (...) meaningful in those relations. The sense of time is surveyed from the perspectives of both cognition and metaphysics as well as with reference to music scholarship and social theory, and key threads are drawn, from the writings of Gaston Bachelard and Charles Sanders Peirce in particular, in order to suggest that time can be a sign, and that the signifying properties of rhythm have critical social consequences. (shrink)

Can literature make it possible to represent histories that are otherwise ineffable? Making use of the Deleuzian concept of “the powers of the false,” Doro Wiese offers readings of three novels that deal with the Shoah, with colonialism, and with racialized identities. She argues that Jonathan Safran Foer’s Everything Is Illuminated, Richard Flanagan’s Gould’s Book of Fish, and Richard Powers’s The Time of Our Singing are novels in which a space for unvoiced, silent, or silenced difference is created. Seen through (...) the lens of Deleuze and his collaborators’ philosophy, literature is a means for mediating knowledge and affects about historical events. Going beyond any simple dichotomy between true and untrue accounts of what “really” happened in the past, literature’s powers of the false incite readers to long for a narrative space in which painful or shameful stories can be included. (shrink)

Scientific narratives about cosmology often present black holes as frightening objects of both creation and destruction, the centres of which are concealed behind event horizons. According to studies, black holes are capable of distorting time and tearing apart anything that plunges toward them. This article asks what the latest knowledge about the properties of black holes can contribute to philosophical understandings of being and time. Drawing on both scientific and narrative constructions of black holes in books written by physicists, the (...) article analyzes black holes in relation to Martin Heidegger’s philosophy of ontology in Being and Time. The article argues that the topics of concealment, time, and mortality form interrelated points of intersection among scientific constructions of black holes and Heidegger’s philosophy. First, scientific commentaries on the concealment of singularities speak to Heidegger’s interpretation of the ways being is concealed in modern society. Second, with regard to time, the phenomenon of gravitational redshift invokes Heidegger’s criticisms of clock time and, by extension, notions of infinitude. On the other hand, theories about Hawking radiation and the decay of black holes also invoke Heidegger’s thesis that time subsists predominantly as a passing away toward the cessation of existence. Third and finally, Heidegger’s renowned and controversial explication of mortality helps frame black holes symbolically as forward-projections toward the impossibility of existence. Bringing these three subjects together, the article concludes that, as Heideggerian symbols of being and time, black holes represent projections toward the possibility of impossible modes and forms of existence. In this sense, black holes emblematize a relationship between being and time that marks the potential limits of existence, as humanity and science understand it. (shrink)