In the philosophy of perception, direct realism has come into vogue. Philosophical authors assert and assume that what their readers want, and what anyone should want, is some form of direct realism. There are disagreements over precisely what form this direct realism should take. The majority of positions in favor now offer a direct realism in which objects and their material or physical properties constitute the contents of perception, either because we have an immediate or intuitive acquaintance with those objects (...) and properties, or because our perceptual states have informational content that represents the properties of those objects (and which is not itself an object of perception and has no specifically subjective aspect). This paper considers various forms of perceptual realism, including, for purposes of comparison, the largely abandoned indirect or representative realism. After surveying the variety of perceptual realisms and considering their various commitments, I introduce some considerations concerning the phenomenology of visual space that cause trouble for most forms of direct realism. These considerations pertain to the perception of objects in the distance and, secondarily, to the perception of shapes at a slant. I argue that one of the lesser known varieties of perceptual realism, critical direct realism, can meet the challenges offered by the facts of spatial perception. (shrink)

As British and American idealism waned, new realisms displaced them. The common background of these new realisms emphasized the problem of the external world and the mind-body problem, as bequeathed by Reid, Hamilton, and Mill. During this same period, academics on both sides of the Atlantic recognized that the natural sciences were making great strides. Responses varied. In the United States, philosophical response focused particularly on functional psychology and Darwinian adaptedness. This article examines differing versions of that response in William (...) James and Roy Wood Sellars. James viewed the mind as a “fighter for ends.” His neutral monism, by taming the mind-body problem and the problem of the external world, provided a secure metaphysics of mind as functional activity. In contrast, Sellars ’s scientific realism endorsed physical reality but was not mechanistic or reductionist. His critical realism and evolutionary naturalism offered novel metaphysical and epistemological positions in comparison with other American and British realisms. James and Sellars are distinguished from British philosophy in 1890–1918 in the types of realism they endorsed and in their success at introducing Darwinian evolutionary considerations and functional psychology into mainstream philosophy. (shrink)

This selective overview of the history of American Philosophy in the Twentieth Century begins with certain enduring themes that were developed by the two main founders of classical American pragmatism, Charles Sanders Peirce (1839--1914) and William James. Against the background of the pervasive influence of Kantian and Hegelian idealism in America in the decades surrounding the turn of the century, pragmatism and related philosophical outlooks emphasizing naturalism and realism were dominant during the first three decades of the century. Beginning in (...) the 1930s and 1940s, however, the middle third of the century witnessed the rising influence in America of what would become known as “‘analytic philosophy’,” with its primary roots in Europe: in the Cambridge philosophical analysis of Moore, Russell, and Wittgenstein; logical empiricism and positivism on the continent; and linguistic analysis and ordinary- language philosophy at Oxford. This overview stresses the persistence of pragmatist themes throughout much of the century, while emphasizing the mid-century transformations that resulted from developments primarily in analytic philosophy. These combined influences resulted at the turn of the millennium in the flourishing, among other developments, of distinctively analytic styles of pragmatism and naturalism. (shrink)

The Gestalt principle of isomorphism reveals the primacy of subjective experience as a valid source of evidence for the information encoded neurophysiologically. This theory invalidates the abstractionist view that the neurophysiological representation can be of lower dimensionality than the percept to which it gives rise.

The overall contention of this paper, conducted through an examination of the idea of a ‘critical direct realism’ as this was developed across the twentieth century first in the thought of Roy Wood Sellars (1880–1973) and then in a different form by his son Wilfrid Sellars (1912–1989), is that such a view, in both its conceptual and sensory representational dimensions, is plausible as a form of direct realism. However, to the extent that the mediating sensory or qualitative dimension was itself (...) conceived by both thinkers in what I characterize as strongly ‘phenomenal realist’ terms, the resulting philosophical commitments were of a kind that most current direct realists would generally not accept, even in cases where they themselves are phenomenal realists (perhaps naïve realists). The various perceiver-dependent forms of that additional, perhaps detachable commitment of most critical realists is likely responsible for the assessment of William Pepperell Montague (1873–1953) and other ‘neo-realists’ that ‘critical realism’ is not really, as advertised by Roy Wood Sellars, a version of direct realism, but ultimately a retreat to indirect realism. However, I argue that in both of its primary conceptual and sensory representational commitments, ‘critical direct realism’ remains a plausible competitor to direct acquaintance versions of direct realism. (shrink)

Physicalism is often characterized as an empirical hypothesis. But according to an alternative conceptualization, it is instead a stance or an attitude. I analyze Roy Wood Sellars’s materialist philosophy in order to show that it is a counterexample to a specific physicalist empirical hypothesis: the minimal completeness of the physical. However, it is arguably not reducible to a stance: it is a meaningful metaphysical thesis with substantive cognitive content.

This article considers the evolution of Feigl's attempt at establishing a stable form of scientific realism. I will argue that Feigl's work in that area should be appreciated for two reasons: it represents a telling case against the view of there being an unbridgeable ‘analytic-continental divide’ in the context of twentieth-century philosophy; it contradicts the idea that scientific realism is at odds with logical empiricism. It will be shown that Feigl developed his scientific realist position from within the logical empiricists’ (...) Vienna Circle. This, in turn, necessitates a fresh approach toward the contemporary scientific realism debate. (shrink)

We examine a number of investigations of perceptual economy or, more specifically, of minimum tendencies and minimum principles in the visual perception of form, depth, and motion. A minimum tendency is a psychophysical finding that perception tends toward simplicity, as measured in accordance with a specified metric. A minimum principle is a theoretical construct imputed to the visual system to explain minimum tendencies. After examining a number of studies of perceptual economy, we embark on a systematic analysis of this notion. (...) We examine the notion that simple perceptual representations must be defined within the "geometric constraints" provided by proximal stimulation. We then take up metrics of simplicity. Any study of perceptual economy must use a metric of simplicity; the choice of metric may be seen as a matter of convention, or it may have deep theoretical and empirical implications. We evaluate several answers to the question of why the visual system might favor economical representations. Finally, we examine several accounts of the process for achieving perceptual economy, concluding that those which favor massively parallel processing are the most plausible. (shrink)