In this paper, I reflect on Descartes' employment of the meditational genre in the weaving of the text of the Meditations. In the first part, the possible influences behind Descartes' choice of the meditational genre are examined. The second part of the paper attempts to spell out the significance of Descartes' use of the meditational form. The claim advanced here is that Descartes adopted this unique genre ultimately to further his radical philosophical project of a subject-centred theory of knowledge and (...) a new metaphysical Weltbild, with the self catapulted to the central stage and the physical world reduced to an object of the subject's act of representation. (shrink)

The problem of the Cartesian circle, as it is called, has sparked ongoing debate, which intersects several important themes of the Meditations. Discussions of the circle must address questions about the force and scope of the famous method of doubt introduced in Meditation I, and they must examine the intricate arguments for the existence of God and the avoidance of error in Meditations III to V. These discussions raise questions about the possibility of overturning skepticism, once a skeptical doubt has (...) been introduced. More generally, the problem of the circle resonates with recent questions about the foundations of knowledge: Must we be able to validate our methods of reasoning or of knowing before using them? If we must, wouldn't we be forever stuck at the beginning, unable to use our methods of reasoning or of knowing in their own validation? The problem of the Cartesian circle raises general questions about the validation of reason and the possibility of knowledge. This chapter examines the Cartesian circle in the context of Descartes' central project in the Meditations, to secure the foundations of metaphysics. In carrying out this project, Descartes felt the need, or adopted the strategy, of examining the possibility of human knowledge more generally. Such an examination can be interpreted in various ways. Depending on the interpretation given, the roles assigned to the method of doubt and the proofs about God may differ, thereby altering how we see the problem of the circle. We therefore need first to consider Descartes' metaphysical project along with the methods and strategies he adopted in carrying it out. Subsequently, I explain and evaluate several main approaches to the problem of the circle. The chapter concludes with some reflections on the relation of Descartes' metaphysics of knowledge to other prominent positions in the history of philosophy. (shrink)

In his Christian and Metaphysical Meditations (1683) Malebranche develops a reflection in which the self discovers in its interiority that the interlocutor able to answer some of its questions is the divine Word. Through references to the Holy Scriptures and to Augustine, Malebranche constructs a meditative itinerary that differs from the one proposed by Descartes, as it moves from the lumière naturelle in the Cartesian sense to the lumière of the Word. In the light of these historical-theoretical data, we propose (...) a reconstruction of the role played by interiority and meditation in certain texts by Malebranche, highlighting the moments in which he appropriated the Cartesian heritage and those in which he distanced himself from Descartes’ philosophical paradigm. (shrink)