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Understanding Imagination: The Reason of Images

Dordrecht: Imprint: Springer (2013)

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  1. (1 other version)Сумњати срцем: дуализам супстанција у светлу Персове критике "духа картезијанизма".Александар Д Ристески - 2021 - Collection of Papers of the Faculty of Philosophy of the University of Priština (2):363-386.
    У овом раду бавићемо се проблемом картезијанског дуализма супстанција у светлу Персове критике „духа картезијанизма“. Веру у интуитивно сазнање и наглашавање индивидуализма Перс види као два главна обележја тог духа, због чега ћемо највише пажње посветити управо њима. Полазна идеја рада јесте та да се картезијански дуализам, посматран у светлу прагматичке критике, испоставља првенствено као епистемолошки и методолошки проблем, а не као засебни метафизички проблем диспаратних супстанција.
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  • (1 other version)Сумњати срцем: дуализам супстанција у светлу Персове критике "духа картезијанизма".Aleksandar Risteski - 2021 - Collection of Papers of the Faculty of Philosophy of the University of Priština (2):363–386.
    To Doubt in Our Hearts: The Substance Dualism in the Light of Peirce’s Criticism of "the Spirit of Cartesianism" -/- In this article, the author addresses the problem of Cartesian dualism through the prism of Peirce’s criticism of the "spirit of Cartesianism". The faith in the intuitive knowledge and the strong emphasis on individualism Peirce sees as its two main features, therefore, they are the focus of the paper. The underlying idea is to show that, in the light of the (...)
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  • The body of imagination and the technology of imagery in the Renaissance and in Modernity.Axel Fliethmann - 2015 - Thesis Eleven 130 (1):43-57.
    Throughout history, the concepts of phantasia (Greek) or imaginatio (Latin) have been linked to the concept of the human body and in particular to our sensory perceptions. But phantasia/imaginatio have also always been linked to the mind and how the operations of the mind are connected with bodily sensations. Functioning as interface between the senses and the mind, phantasia has predominantly been exemplified with the notion of the visual image, rather than a tactile or oral depiction. But as emphatic as (...)
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