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  1. The concept of intrinsic value and transgenic animals.H. Verhoog - 1992 - Journal of Agricultural and Environmental Ethics 5 (2):147-160.
    The creation of transgenic animals by means of modern techniques of genetic manipulation is evaluated in the light of different interpretations of the concept of intrinsic value. The zoocentric interpretation, emphasizing the suffering of individual, sentient animals, is described as an extension of the anthropocentric interpretation. In a biocentric or ecocentric approach the concept of intrinsic value first of all denotes independence of humans and a non-instrumental relation to animals. In the zoocentric approach of Bernard Rollin, genetic engineering is seen (...)
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  • The Caring Sleuth: Portrait of an Animal Rights Activist.Kenneth Shapiro - 1994 - Society and Animals 2 (2):145-165.
    The present study of the psychology of animal rights activists utilizes a qualitative analytic method based on two forms of data: a set of questionnaire protocols completed by grassroots activists and of autobiographical accounts by movement leaders. The resultant account keys on the following descriptives: an attitude of caring, suffering as an habitual object of perception, and the aggressive and skillful uncovering and investigation of instances of suffering. In a final section, the investigator discusses tensions and conflicts arising from these (...)
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  • Collision. Bass Pro Shops, Environmental Thought, and the Anima(l)tronic Dead.Christina M. Colvin - 2015 - Evental Aesthetics 4 (2):105-115.
    This essay collides with the aesthetic of wilderness cultivated by the North American retail chain Bass Pro Shops. Through elaborate displays and décor that render each store part rustic lodge, aquarium, amusement park, natural history museum, and hunting simulator, the stores represent the natural world and its inhabitants as abundant resources for human consumption. The stores’ aesthetic is primarily wrought through the arrangement of taxidermied animals. These animals include both traditional wildlife mounts posed in lifelike attitudes as well as animatronic (...)
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  • Evolution and Aesthetics.Evental Aesthetics - 2015 - Evental Aesthetics 4 (2):1-170.
    Is aesthetics a product of evolution? Are human aesthetic behaviors in fact evolutionary adaptations? The creation of artistic objects and experiences is an important aesthetic behavior. But so is the perception of aesthetic phenomena qua aesthetic. The question of evolutionary aesthetics is whether humans have evolved the capacity not only to make beautiful things but also to appreciate the aesthetic qualities in things. Are our near-universal love of music and cute baby animals essential to our species’ evolutionary development, which took (...)
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