Abstract The tshogs zhing, or field of assembly, is an important subject in Tibetan religious art. Typically, it focuses on one's own guru, seated at the crest of a great tree, with the gurus preceding him ranged in the sky above him and the deities of one's tradition ranged on the tree below him. The tshogs zhing is an object of visualisation in Tibetan guru yoga practices, and serves as both a ?map? of the Tibetan sacred cosmos and as an (...) index of the guru's crucial role in the tradition as a mediator between the practitioner on the one hand and the diachronic lineage of teachers and the synchronie pantheon of deities, on the other. (shrink)

Challenges readers to reconsider the moral standing of plants.

in Cambridge Handbook of Consciousness edited by Zelazo P., Moscovitch M. and Thompson E. (2007).

In line with a particular form of analysis as developed by Michel Foucault, this article proposes to elucidate a particular way of understanding Buddhist monastic culture as detailed in the rules concerning behaviour (the Vinaya), which may be called the “care of the self approach”. To develop this argument, the article first describes the nature of the Vinaya as a “training scheme” rather than a system of prohibitions or rules. Second, it examines the nature of confession or what is called (...) “truth telling”. Third, it examines the nature of transgression of the Vinaya rules. Fourth, I examine the Vinaya and the role of ethics. Lastly, it is shown how these approaches to monastic Buddhism deal with the nature of the transformation of desire to construct what may be seen as a form of “ethical technology” or alternatively as a “transgressive technology”. (shrink)

This essay examines how Tārā ‘reclaims’ the discourse of enlightenment for Buddhist women and feminist theologians. Despite universal concern for the liberation of all beings, Buddhahood in mainstream texts and narratives was confined to male deities and masters, or females that switched their genders in their final rebirth. Furthermore, Tārā’s senior male bodhisattvas, Avalokiteśvara and Mañjuśrî, overwhelmingly monopolized compassion and wisdom as the latters’ embodiments. This study proposes how Tārā’s theology gradually came to distinguish her from her male colleagues and (...) reclaim the state of Buddhahood. Tārā is an unequivocally female Buddha in Vajrayāna Buddhism because she has managed to assimilate these theological virtues that were essentially reserved as masculine, correcting them as genderless qualities without identity. Tārā’s legitimization sets a concrete precedent for the title of ‘Buddha’ to be included amongst the categories of feminine faith and practice. (shrink)

he purpose of the paper is to determine the distinctive soteriological paradigm of Tantric Buddhism. The view of Shinichi Tsuda is critically analyzed. The belief that symbols of Buddhahood are essential to achieve Buddhahood appears specific for Vajrayāna. Relevant manipulation of the symbols can be ritual or/and imaginary. Followers are convinced that the manipulation enables them to achieve the final religious goal, not only the intermediate steps. They also believe they can activate and control the processes that are not dependent (...) on enlightened beings’ good will. However, such a position need not exclude the appreciation of moral and cognitive virtues. Some aspects and variants of the Vajrayāna soteriological paradigm are discussed to avoid any misinterpretation. (shrink)

Indian Buddhist sources speak of five sins of immediate retribution: murder of mother, father, an arhat, drawing the blood of a buddha, and creating a schism in the monastic community. This category provides the paradigm for sinfulness in Buddhism. Yet even these sins can and will, be expiated in the long run, demonstrating the overwhelmingly positive nature of Buddhist ethics.