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Newtonianism in Scottish universities in the seventeenth century

In Campbell & Skinner (ed.), The Origins and Nature of the Scottish Enlightenment. pp. 65--85 (1982)

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  1. Descartes's Philosophical Novel and the Scottish Enlightenment.Sergio Cremaschi - manuscript
    The paper reconstructs the reception of Descartes's work by Scottish eighteenth-century philosophers. The Scots' image of Descartes was a by-product of a scientific controversy; philosophical arguments were brought into the picture more as asides than as a primary focus of interest. As soon as the Cartesian physics withered away as a real alternative to Newtonian physics, only the philosophical arguments were left, with no memory of the context out of which they originated, and the focus of the discussion shifted from (...)
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  • L'illuminismo scozzese e il newtonianismo morale.Sergio Volodia Marcello Cremaschi - 1992 - In Marco Geuna & Maria Luisa Pesante (eds.), Passioni, Interessi, Convenzioni. Discussioni Settecentesche su virtù e civiltà. Milano: Franco Angeli. pp. 41-76.
    The paper describes how a simple idea, that of a new foundation of moral philosophy taking Galilean new natural philosophy as a mode , lead to unforeseen developments once the competition between a Cartesian and a Newtonian paradigm emerged. Those developments are reconstructed in Hume, Smith, Ferguson.
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  • (3 other versions)Les Lumières Écossaises et le roman philosophique de Descartes.Sergio Volodia Marcello Cremaschi - 2000 - In Yaron Senderowicz, Yves Wahl, Daniel Garber, Frédéric Cossutta, Georges-Elia Sarfati, Sergio Cremaschi, Anthony Kenny, Elhanan Yakira, Abraham Mansbach, Fernando Gil, Ruth Weintraub, Zauderer Naaman Noa, Keenan Hagi & Viala Alain (eds.), Descartes: Reception and Disenchantment. Réception et Déception. Edited by: Yaron Senderowicz & Yves Wahl. Tel Aviv: University Publishing Projects. pp. 65-88.
    The paper reconstructs the reception of Descartes's work by the Scottish Enlighteners, from Colin MacLaurin to Dugald Stewart. The Scots' image of Descartes was a byproduct of a scientific controversy; philosophical arguments were brought into the picture more as asides than as a primary focus of interest. As soon as the Cartesian physics withered away as a real alternative to Newtonian physics, only the philosophical arguments were left, with no memory of the context out of which they originated, and the (...)
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  • Newtonian Physics, Experimental Moral Philosophy, and the Shaping of Political Economy.Sergio Volodia Marcello Cremaschi - 2009 - In Richard Arena, Sheila Dow, Matthias Klaes, Brian J. Loasby, Bruna Ingrao, Pier Luigi Porta, Sergio Volodia Cremaschi, Mark Harrison, Alain Clément, Ludovic Desmedt, Nicola Giocoli, Giovanna Garrone, Roberto Marchionatti, Maurice Lagueux, Michele Alacevich, Andrea Costa, Giovanna Vertova, Hugh Goodacre, Joachim Zweynert & Isabelle This Saint-Jean (eds.), Open economics. Economics in relation to other disciplines. Richard Arena; Sheila Dow & Matthias Klaes (eds). Abingdon, UK: Routledge. pp. 73-94.
    In this paper I reconstruct the birth, blossoming and decline of an eighteenth century program, namely “Moral Newtonianism”. I reconstruct the interaction, or co-existence, of different levels: positive theories, methodology, worldviews and trace the presence of scattered items of the various levels in the work of Hume, Adam Smith, Adam Ferguson, Dugald Stewart. I highlight how Mirowski’s reconstruction of the interaction between physics and economics may be extended to the eighteenth century in an interesting way once the outdated reconstruction of (...)
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  • Adam Smith y la Belleza de la Ciencia.Jorge López Lloret - 2019 - Anales Del Seminario de Historia de la Filosofía 36 (1):87-106.
    El presente artículo analiza la concepción de la metodología científica expresada porAdam Smith en su historia de la astronomía, algo importante para comprender el resto de su obra. Losestudiosos de este tema se han centrado en su mayor parte en la influencia de Newton y Hume sobreSmith, surgiendo una concepción en la que la dimensión epistemológica y la estética se relacionande una manera tensa. El autor identifica nuevas fuentes, de naturaleza estética, que se integran eneste debate y ayudan a aclararlo: (...)
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