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  1. Locating humour in indian buddhist monastic law codes: A comparative approach. [REVIEW]Shayne Clarke - 2009 - Journal of Indian Philosophy 37 (4):311-330.
    It has been claimed that Indian Buddhism, as opposed to East Asian Chan/Zen traditions, was somehow against humour. In this paper I contend that humour is discernible in canonical Indian Buddhist texts, particularly in Indian Buddhist monastic law codes (Vinaya). I will attempt to establish that what we find in these texts sometimes is not only humourous but that it is intentionally so. I approach this topic by comparing different versions of the same narratives preserved in Indian Buddhist monastic law (...)
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  • The learned Monk as a comic figure: On reading a buddhist vinaya as indian literature. [REVIEW]Gregory Schopen - 2007 - Journal of Indian Philosophy 35 (3):201-226.
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  • Go Trampling on Vairocana’s Head! Role and Functions of Irony in the Blue Cliff Record.Rudi Capra - 2020 - Dao: A Journal of Comparative Philosophy 19 (4):601-618.
    Since the wide corpus of Chan 禪 literature includes a significant number and a consistent variety of ironic features such as puns, wordplay, extravagant acts, and so forth, a clarification of the role and functions of irony is especially relevant to this framework. The idea of the present essay is that irony works in Chan Buddhism as a functional strategy purposely employed in textual compositions and oral communication. Analysing the Blue Cliff Record, one of the most influential and significant texts (...)
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  • What Does It Mean to Be a Postcolonial Feminist? The Artwork of Mithu Sen.Sushmita Chatterjee - 2016 - Hypatia 31 (1):22-40.
    This article examines what the work of New Delhi-based artist Mithu Sen brings to thinking about being a postcolonial feminist. Using images from Sen's solo exhibit in New Delhi and New York titled Half Full, I theorize on the complexities that proliferate when thinking about postcolonial feminism. Sen's images play with “an” identity to showcase the hybrid and mobile configuration of postcolonial subjectivity. Sen's provocative aesthetic urges us to rethink defining a set of conditions or tenets for postcolonial feminism. Rather, (...)
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  • (1 other version)Humor and the Good Life in Modern Philosophy: Shaftesbury, Hamann, Kierkegaard.Lydia Amir - 2014 - Albany: State University of New York Press.
    _An exploration of philosophical and religious ideas about humor in modern philosophy and their secular implications._.
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  • Love, Violence, and the Aesthetics of Disgust: Śaivas and Jains in Medieval South India. [REVIEW]Anne E. Monius - 2004 - Journal of Indian Philosophy 32 (2/3):113-172.
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  • Ramon Llull’s Critique of Political Astrology.Alexander Fidora - 2019 - Quaestio 19:279-292.
    This paper explores Ramon Llull’s critique of political astrology regarding both its literary expression and its epistemological foundations. It opens with a discussion of Llull’s reception of the...
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